A Quote by Don Rickles
I'd like to think my performance is today. I never try to - it's so, as you know, watching me, I have a beginning, middle and ending. But every night the show changes and I relate to an audience and I relate to the young people.
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I want every scene to feel electric and I try to finish the filming period with a clear trajectory: a beginning, a middle, and hopefully an end.I hate "fly on the wall." It infers that I don't relate to the people we're with and that I don't get affected by events. I like it when people talk to me. I never say things like "Don't look at the camera" - how bossy!
When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.
Cannabis always made me paranoid; I felt like people were watching me. And now I'm sober, and I've got this talk show in the middle of the night on CBS, and I now know that no one is watching me.
I think I just say what I'm thinking. And - you know, if people relate to it, they relate to it, but - I really - you know, if you really listen to me, I don't have my finger on any pulse.
People are good people. If they know what's going on, and they can relate to it, they can be moved to do something. If they can never see it or never relate to it, they continue to stay disconnected.
I know beating a woman isn't like winning seven gold medals. But how many old guys are there in the world? You think they can relate to Mark Spitz? They relate to me, Bobby Riggs.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
I couldn't really relate to the fraternity or party scene, to the people out in the mall every day protesting one thing or another. I felt like there was no one I could relate to.
The one thing people like about my show is it's universal. Everybody can relate to it. I think people enjoy going to a show and saying, 'Something like that happened to me.'
I couldnt really relate to the fraternity or party scene, to the people out in the mall every day protesting one thing or another. I felt like there was no one I could relate to.
I don't know many women who can relate to Sharon Stone and the kind of movies she does. I don't know a lot of guys who can relate to Tom Cruise's movies because they're on a kind of fantastic level. I like movies I can relate to.
Good horror is the kind that we can all relate to. We all know what it was like to be a child and hear something move in our room. Or how the teddy bear that was so cuddly and nice during the day turned into this horrible, foreboding shadow at night. Those are the kind of things that we all can relate to.
My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.
I like making stories and characters that people can relate to. I also like giving the audience a departure from whatever they're thinking about in their life and enjoying a show or a movie.
Ratings experts say the best way to get people to watch during sweeps is to leave the audience with a question that won't be answered until the next time the show is on. You know, like Who shot J.R.? I like to think I do this every night - the question is, Is this show still on?
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