A Quote by Donald Sutherland

You're always working in the movie. Never was I me, and never have I been me, nor was he him. We were the two characters. But the character that I was playing was informed by my DNA, looking at him informed by his.
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
It would be a very sharp & trying experience to me to think that I have an affliction which God never sent me, that the bitter cup was never filled by his hand, that my trials were never measured out by him, nor sent to me by his arrangement of their weight and quantity.
An Irishman's imagination never lets him alone, never convinces him, never satisfies him; but it makes him that he can't face reality nor deal with it nor handle it nor conquer it: he can only sneer at them that do, and be 'agreeable to strangers', like a good-for-nothing woman on the streets.
I see myself as a character actor, and I've always been drawn to playing characters that are different from myself because acting is escapism for me. I've never been that comfortable playing people that are like me.
I've also built my own business, and obviously it's a brand that I've built and it's wholly owned by me and something that certainly my experience observing him and working with him and for him has informed how I make business decisions around my brand. But it's my company.
Socrates, when informed of some derogating speeches one had used concerning him behind his back, made only this facetious reply, "Let him beat me too when I am absent.
We were always in church, and always singing, so once I realized that music was something that I had a knack for, I sort of latched onto it, and it helped give me an identity and figure out who I was as a person. It informed my way into theater, which informed my way into television.
To see him there lifeless and breathless was very emotional for me. But I held myself together because I knew he's very much alive in his spirit, and that was just a shell. But I kissed him on his forehead, and I hugged him, and I touched him and I said, 'Michael, I'll never leave you. You'll never leave me.'
TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back - "I thought you were dead," he's saying, his breath on my neck. "I thought you were dead." "Todd," I say and I'm crying and the only thing I can say is his name. "Todd.
God was always important to me. I always believed. I just never knew Him until I had to know Him. He was my best friend I never hung out with. Then my life took the crazy, tragic, turn and I got on my knees and begged Him to show me Himself so I would know not only Him but myself.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
I do think that part of the reason why [Donald Trump] asked me to run with him and gave me the opportunity to serve with him was informed by my 12 years of experience on Capitol Hill and my years as governor of the State of Indiana.
The history and baggage of certain actors and characters - it goes into the movie and becomes part of it. If Keanu Reeves wasn't Keanu with all the things that make him Keanu, it wouldn't be the same for him to come in and become his Bad Batch character The Dream. It's kind of meta or next-level interesting for me.
I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!
Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.
Knowledge of the natural world and how it works should be counted as fundamental to informed governance. You can't have a functioning democracy, if the electorate is under-informed or, worse, mis-informed.
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