I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
So Stapes conducted a dinner for just the two of us, then informed me of a dozen small but important mistakes I had made. Setting down a dirty utensil was considered crude, for example. That meant it was perfectly acceptable to lick one's knife clean. In fact, if you didn't want to dirty your napkin it was the only seemly thing to do.
Part of the reason I am not there sooner, is that I was not allowed to go to the United States. Now I am allowed. I am so thankful I have been given a second chance and I live there and already more has happened in six months for my career then in the last ten years.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
I've written, like, 450 comics, and 'Secret Six' was the first one I've had ship late, ever. So it took a lot to make that happen. So we had a little bit of a stop-and-start, and then we had Convergence, and then Issue No. 2 of 'Secret Six'.
Well, I think I've had a fairly meandering career.
Well people love to go dirty and stuff like that. It's funny, because even really dirty things can kind of inspire, but all things inspire really dirty improv and monologues. So then really dirty things can inspire the exact opposite. It's kind of a crapshoot.
I always stay out of the rehearsal room you know when they first come in. Then once they had chance to play a little bit, then I walk in. Because I've seen guys fall apart.
I love the roles that I'm having the chance to play, and I've learned to just let go a little. Children teach you that, every day. Life is large, so do the best you can and move on. Do everything you can in a given day, and then let it go.
I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
I'm not going to lie: I fell out of love with football for a little bit because I had some good performances but then just didn't get the chance to play on.
I never had a chance to play with dolls like other kids. I started working when I was six years old.
D.H. Lawrence had the impression – that psychoanalysis was shutting sexuality up in a bizarre sort of box painted with bourgeois motifs, in a kind of rather repugnant artificial triangle, thereby stifling the whole of sexuality as a production of desire so as to recast it along entirely different lines, making of it a ‘dirty little secret’, a dirty little family secret, a private theater rather than the fantastic factory of nature and production
I have never planned my career. I chose those films with which I could relate myself. But if given a chance, I would love to do the kind of roles Meryl Streep has done.
I had a chance at him now. Things were a bit more even. He knew my name, I knew his. He had six years' experience, I had five thousand and ten. That was the kind of odds that you could do something with.
I'm practicing a kind of meandering faith, or faithful meandering. I just trust that something is coming. I don't know what it is. But I've been a straphanger all my life; I know what it's like to not know when the next train is coming, but I trust the subway.