A Quote by Donna J. Haraway
Consciousness of exclusion through naming is acute. Identities seem contradictory, partial, and strategic.
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I think it is optimistic and positive - it's quite contradictory in that sense - from the lyrics. Until you actually read them, maybe they can seem contradictory.
To me, activism requires you to try very hard to open your eyes to the world as it is. See as much as you can, knowing that whatever you see is going to be partial. That you possess a partial consciousness in an infinite and expanding universe.
A false identity is any lie that contradicts our God-given identities through Scripture. These false identities can be created by ourselves because of sin in our lives, choices made, or wrong turns taken and the regret, guilt, and shame that follows. Other false identities are handed to us by outside sources, maybe a damaging word spoken to us by someone or a childhood of abuse. However, not all false identities are negative on the surface, such as successful, attractive, wealthy, athletic, or talented. But even those identities can become false when we place too much of our weight on them.
The exclusion of true esoteric religion has been the business of the State since ancient times. At first this was done via the establishment of the popular idealism of exoteric religious institutions in league with the State. But in modern times the same process is done by the strategic exclusion of conventional religious cultism, mystical idealism, and higher evolutionary Wisdom from the mechanisms of popular culture.
Religion is a complex and often contradictory force in our world. It fosters hope and comfort but also doubt and guilt. It creates both community and exclusion. It brings societies together around shared belief and tears them apart through war. However, what unites the faithful, whatever their religion, is the unshakeable force of generosity.
I always have sort of been someone who has contradictory parts, and I haven't tried to uncomplicate myself. I've sort of let things seem contradictory, and sometimes it really confuses people. I don't know if it's working all the time, but I'd rather do that than try to sell myself as one thing or another.
When we pause to think, we are compelled to admit the existence of consciousness as the primal and surest fact. What we know of the great world around is known through our states of consciousness, and if we seem to be living a merely objective life, amidst external things, it is because we have become oblivious of the real nature of experience.
Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times.
Strategic planning is not strategic thinking. Indeed, strategic planning often spoils strategic thinking, causing managers to confuse real vision with the manipulation of numbers.
There is no partial sensitivity; either it is the state of one's whole being, total consciousness or it is not there at all
Donald Trump speaks extemporaneously, often through stream of consciousness, where it doesn't seem to follow a trajectory.
We can determine our strategic part or strategic options, but the strategic framework is something which will evolve from the interaction of world powers with each other.
In art, and maybe just in general, the idea is to be able to be really comfortable with contradictory ideas. In other words, wisdom might be, seem to be, two contradictory ideas both expressed at their highest level and just let to sit in the same cage sort of, vibrating. So, I think as a writer, I'm really never sure of what I really believe.
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
Their function is to anchor the frequency of the new consciousness on this planet. I call them the frequency-holders. They are here to generate consciousness through the activities of daily life, through their interactions with others as well as through "just being."
The artists of Asia have spiritually realized form, rather than aesthetically invented or imitated form, and from them I have learned that art and nature are mind's Environment within which we can detect the essence of man's Being and Purpose, and from which we can draw clues to guide our journey from partial consciousness to full consciousness.
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