A Quote by Dorothy Parker
All I say is, nobody has any business to go around looking like a horse and behaving as if it were all right. You don't catch horses going around looking like people, do you?
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There's an ancient bond that still exists today between horses and humans, it is even there with people that have never ridden a horse or been around horses. The horse is what settled the entire west. If it weren’t for the horse they’d probably be only a couple hundred miles from where they started. A lot of people don’t realize how much they owe the horse because it’s not so much a part of our culture right now as it used to be.
Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
You'd see extraordinary-looking people around in the '70s. It was so exciting! You'd have mad people, like Gerlinde Kostiff riding around on her bicycle with a huge hat. Everybody was doing things. I don't have any bad memories of that period.
I appreciate the few people who say nice things about me and say, 'Gee, you were right about this,' or, 'You were right about that.' But frankly, I spend my time looking ahead. I've got 23 grandkids, and I'm concerned about what their world is going to be like.
You guys looking for my dad? People are always, like, looking for him, and he's never around. Daddy is so not here. And I mean that literally and spiritually.
I go through airports and people see the white hair and they said, 'Hey, the horse guy! Aren't you the horse guy?' Or I get, 'Has anybody told you that you look just like Bob Baffert?' I say, 'He must be a good-looking guy.'
I got involved as an activist when I was in high school, around the Iraq war. That's how I got involved. It seemed like, OK, we're going to go to war. It doesn't seem like a good idea. Someone should do something. I'm looking around and, like, I am someone, and I might not be able to do everything, but I can do something.
With horses, familiarity breeds comfort. If you haven't been around horses for a while (or ever), the best thing to do is to go to the racetrack, a horse show, a rodeo, or some other horsey activity, and watch the horses. Familiarize yourself with the way they move and behave themselves.
I don't like being on a horse. That's the only negative of doing a Western. I like the whole get up, and I look great in a hat. But I get tense around horses. So, if they could make a fake horse, then I'd do a Western.
I have to say my relationship with the horses is the biggest thing, and it grows. I love horses more and more every day, and I'm breeding, so when I'm playing a horse that's the son of a horse, the daughter of a horse I used to play, it's like bonding. So I think that's the most amazing part of it. It's the passion that we polo players have for the horses first, and then the game and the strategy of the game and winning and the team and your teammates, all of those things are a big part of it, but the horses are my favorite part.
Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.
Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
And ultimately, it's good for all of us to have more original programming on the air. Business doesn't drive the creative. So, in identifying a project like Dovekeepers, looking at something like Extant and looking at Under the Dome, it was about falling in love with a piece of material, getting excited by the creative direction, hearing a vision, and getting excited about the potential for those projects and building the business model around it. And they're not all modeled the same way. Every one is different.
Well, as a former small businessperson - I understand what's going on, I think in the business community. And businesspeople around the country are looking at all the spending and all the debt. They're looking at all the policies coming out of this Congress and this administration the last two years, and they - it's created all this uncertainty.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
Economics, over the years, has become more and more abstract and divorced from events in the real world. Economists, by and large, do not study the workings of the actual economic system. They theorize about it. As Ely Devons, an English economist, once said in a meeting: 'If economists wanted to study the horse, they wouldn't go around and look at horses. They'd sit in their studies and say to themselves, `What would I do if I were a horse?' '
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