A Quote by Doug Stanhope
My mother was always the one with the dark, really filthy sense of humor. She was a vulgar woman. She used to tell me to do comedy before I even tried it. She was always up for any gag.
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When my mother read 'The Joy Luck Club', she was always complaining to me how she had to tell her friends that, no, she was not the mother or any of the mothers in the book.
If a woman rising in power is too tough or aggressive, she's attacked for it. If she's attractive, she's accused of having used that to her advantage. And even if a woman is beyond qualified for a role, there will always be those who raise doubts about if she's really qualified.
The woman who runs the Pennsylvania Innocence Project told me that there's a man she's been trying to get out of prison for 26 years. Every night before she goes to bed, she thinks, 'What is he doing?' She says you don't sleep. And yet, she has the greatest sense of humor and this light that comes out of her.
My mother would never say anything I cooked for her was great. She was always a 'Yeah, but' person. When she tasted my food, I used to say to her 'Don't tell me too straight, lie to me!' She couldn't even understand why I was on television.
My mom and I were super tight. I think she really wanted me to be an artist, you know? She used to like to tell people she wanted to be Beethoven's mother. That was her thing. She wanted to be the mother of this person.
I had never really heard of Meryl Streep before. Someone told me she was an actress and she'd been in a few things, but I said, you know, whatever. She showed up and she seemed somewhat inexperienced, so I gave her a few pointers, and I think she has a decent career ahead of her. It's always hard to tell these things in Hollywood, but I do think that she has some talent under there. I think she's a diamond in the rough.
She yearned to see her mother again, and Robb and Bran and Rickon… but it was Jon Snow she thought of most. She wished somehow they could come to the Wall before Winterfell, so Jon might muss up her hair and call her “little sister.” She’d tell him, “I missed you,” and he’d say it too at the very same moment, the way they always used to say things together. She would have liked that. She would have liked that better than anything.
I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.
I definitely get my artistry and my vocal talent from my mother and mother's side. She sang in a jazz trio band so growing up my dad would always take me to see her play and she has a beautiful voice. When I was little and started to sing, she supported me and let that fire burn. She always knew what it took as a support system.
I heard stories from my mother's mother who was an American Indian. She was spiritual, although she did not go to church, but she had the hum. She used to tell me stories of the rivers.
The thing that's really kept me on my toes is how my mom would always tell me - it's not the best thing for a mother to tell you - but she'd never tell me after I'd lose a soccer game, 'You'll do better next time.' She'd always say, 'There's always somebody better.'
She can kill with a smile. She can wound with her eyes. She can ruin your faith with her casual lies. And she only reveals what she wants you to see. She hides like a child, but she's always a woman to me.
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
Over the years, she [my mother] always encouraged me in the arts. She actually worked at an art museum when we were kids. I took classes there. She was the one that, when we'd go to the store and I would have a pack of eight pastels, she'd say, "No, get the 24-pack." She was always encouraging me to get the best materials, which was really awesome.
Lucy Mercedes Martinez, my mother, was probably my first mentor. She really tried to take care of me in spite of myself, and in spite of her own struggles with alcohol. She was an immigrant who had never finished school. But she was also a Renaissance woman who read voraciously. She spoke several languages.
Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house. She was wonderful - just a kind, big-hearted, filthy girl. Somehow she could be vulgar without being vulgar.
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