A Quote by Douglas Henshall

I'll lie awake and think about scenes I could have done better, that I could have filmed in a different way. — © Douglas Henshall
I'll lie awake and think about scenes I could have done better, that I could have filmed in a different way.
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, 'Oh, I could have done that a little bit better,' or, 'I could have done that differently - that riff could have been a little better.'
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, "Oh, I could have done that a little bit better," or, "I could have done that differently - that riff could have been a little better."
I still lie awake at night thinking about everything that could have been, that wasn't done to stop 9/11. To the 9/11 families, I said, you deserve better from your entire government. All of us.
When I see my movies on the editing table, I do think I could have done them a certain way. The satisfaction is never there even when I'm directing a film. You need to have the feeling that you could have done this better.
It's only when a project or film doesn't work, that you think about what you could have done differently - whether you chose unwisely, or was there something in your application in that role, as an actor, as a director or as a producer, that you could have done better.
I had worked for a lot of directors whose work I didn't respect, and as I was editing material, I was thinking about how I would have shot the scenes and what I would have done to make the scenes better. After several years of that, I got to the point that I was pretty confident I could sit in the director's chair.
I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better. I think that's the single best piece of advice: constantly think about how you could be doing things better and questioning yourself.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter.
When I saw 'Badhaai Ho,' I felt I could have done certain scenes better.
After seeing some of my emotional scenes, I end up thinking I could've done it better.
I never felt good enough about myself. I could be better at this, I could be better at that. I could look better. My work could be better. That whole idea that you're going to get caught, you're going to be found out as a fraud. That's one of those reasons I got up at 2:30 in the morning.
I've picked up a lot of injuries, and there's been games when I've looked back and watched and thought, 'I could have done this better,' 'I could have done that better.'
When I look back, I think I could have done this scene or that better. I am not satisfied with my work at all. I think I could have done better. I am never satisfied.
The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.
I couldn't roam wildly and speak secretly with villagers [in North Korea]. No way you could do that. And honestly, I didn't even try. I was realistic of what I could do and yet persuaded them into accepting numerous things that I shouldn't have filmed.
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