A Quote by Dustin Yellin
As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
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Early in my career I was much more confident in the almost omniscient powers of a reporter, because you could find anything out and then write the definitive piece about it. And as I got older, I got much more humble about trying to learn everything, with what eludes you, especially with history.
I was in San Francisco for 'Trauma' and then got back to town and got situated and started looking at things and passing on things. I think I was around for a month and a half, and there were other projects that were up, but it's all a waiting game. And then, 'The Vampire Diaries' came up, and I was really interested and read for it.
I think when you're a tall girl, you feel a little bit like an outcast. You have to go to the back of the photo. You're taller than all the boys. I know I felt more like an outsider. And then as I got older, I just got used to it. I got like, 'I don't date under 6 feet.' That's my policy.
There ain't no way you can hold onto something that wants to go, you understand? You can only love what you got while you got it.
Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.
I guess working on 'Mad Men' turned me onto AMC and really got me watching the network, and so with that I got a good idea of the type of show they like to produce.
I get in trouble when I say things like, 'I'm attracted to violence.' I was a pretty angry kid, and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them.
When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.
When I first came out, I kinda overdid it. I dressed extremely older-boyish, like sagging, and big shirt and big jeans. I was just like, 'I'm gonna go extreme.' And then as I got older, the baggy clothes got a little more fitting to my body, but still masculine.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
As my sister got older, I saw how excited she got when she got to do all of that stuff. I was always like, "One day, I'll get to do older parts." I thought that was cool.
As I've got older, I've got slightly more fussy. You've got less time; you need to use it wisely.
I got really paranoid, burning every song onto three CDs and hiding them in various places around the house just in case I got burgled and there was, y'know, a fire in my bedroom. I told friends where I was hiding them in case I was killed.
You've got to have models in your head and you've got to array you experience - both vicarious and direct - onto this latticework of mental models.
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
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