A Quote by Ed Kowalczyk

As a songwriter and a singer in a successful rock band, I have had the good fortune of being surrounded by incredible musicians, lots of wonderful production on both record and onstage, and plenty of volume!
Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
I think Everclear is a weird combination of a singer-songwriter and a hard-rock band. That's why some people really dig the band, and some don't.
I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
I'm in a funny position: I've been in one band in my life and that was with my brother. As incredible as that has been, I feel like I'm missing out a little bit on being in a real rock band - or how I imagine being in a real rock band to be. It's like being in a street gang: you all wear the same leather jacket or whatever.
In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
Then it evolved into more of a ballad style singer/songwriter thing. And there was a conflict in trying to merge the two styles with the same band behind me. 'Cause the musicians that I would need to do ballad-oriented tunes would require musicians who were more into jazz.
Being a part of the crowd with incredible musicians onstage summoning the muse and delivering that to us - doesn't matter if it's an orchestra, two bluegrass banjo pickers, a solo singer, piano player, or Bruce Springsteen - when it all comes together, you can just feel as if you are a part of something bigger and grander than yourself.
There is no one like Toto in history in that we were both successful as session musicians and also had a band that sold so many million records.
SPEAK OF TROUBLE highlights the abilities of Lowell Sostomi as singer/songwriter and brings together a talented band of musicians with amazing dexterity, loads of energy, and very original arrangements. Im impressed.
Not many people come out of a big band as the lead singer/songwriter and making a record, and all of a sudden we're all happily sailing at the same pace as we were before.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
When you are up close to an opera singer, hearing this incredible volume of noise coming from a human being - its beyond belief.
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