A Quote by Eddie Bernice Johnson

I came up in a family oriented towards the sick, so I always felt an obligation for doing something. — © Eddie Bernice Johnson
I came up in a family oriented towards the sick, so I always felt an obligation for doing something.
I have always been very family-oriented. I came from a dysfunctional, broken family growing up, and it's probably instilled in me the need and the want to have a strong family and a great foundation. So I think that is something that I naturally gravitate toward.
I grew up in a family that felt indifferent towards the royal family.
[My twin brother] he was the star artist of the family as we - as we were growing up. He eventually lost interest and went more towards literature and then medicine and then business and so on. But for me it became something that I did well. And it felt great being able to make something look like something.
I can't say that I was my happiest on court, but I felt completely free. Free from family obligations, free from my own torment. In a real sense I was a different person. It was a place where I could not tolerate the idea of being beaten. I psyched myself up into a state where I felt something close to hatred towards my opponent, a state where I detested the idea of someone making his name at the expense of Jimmy Connors. I was in my element on court, measuring myself against someone else. I was not competitive for show. It came from deep within.
I came from a family where I felt great pressure to be financially successful, and I felt that staying in Chicago and doing theater, I was, in all likelihood, not going to find financial success.
I've always known that I wanted to be an actor. My family kind of was a theatrically inclined family. My father came to New York when he was a young man to be an actor and he, over a course, was in a couple Broadway musicals. I grew up in family where theater was always part of the vocabulary. By the time I was a teenager I was just totally obsessed, and it was the only thing I could imagine myself doing.
My first exhibition oriented towards raising awareness was in 2008 in Paris. That was the first time I felt like I actually did something related to wildlife protection, and ever since that time, I haven't stopped.
There are times when you felt especially important to another person, or cared about or loved or accepted. Well, loving relationships aren't something you can have like a precious little jewel you put in a box and then put on your shelf. It's something you walk towards. And there's always difficulties; there's always pain in relationships. But you can keep walking towards that beacon in the distance. That process, that journey, is called life. And if you're moving towards the things that you value, life is more vital, flowing; it's more empowering.
When Mary arrived, I felt a mixture of emotions, including panic and overwhelming love. I felt a great sense of responsibility, not just towards my child but also towards her father. There have been many influences on my life, but that thing of finally becoming a family person was the greatest.
We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.
I was working a corporate job for years and it always felt restrictive, it felt like I was doing something I wasn't supposed to be doing.
I was brought up as Christian, and while my ideas have changed, I have always felt myself religiously oriented.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
I've always felt that's something I'm capable of doing - setting up a trend.
We've always had ups and downs at Pixar, starting with the high we felt doing something we'd never done - 'Toy Story' - and the low we felt right after when we realized we'd messed a bunch of things up along the way.
Thinking is generally thought of as doing nothing in a production - oriented society and doing nothing is hard to do. It's best done by disguising it as doing something and the something closest to doing nothing is walking.
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