A Quote by Eddie Vedder
Music was your real passion, this thing you held dear even above family. It was this relationship that never betrayed you. Once it became your job - this thing that was highly visible, this thing that became about commerce - that's when you were holding onto music like it was a palm tree in a hurricane.
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Music saved me; I mean, my upbringing was like a hurricane, and music was the tree I held onto.
A writer's job is not complete without attention to precision. What you're trying to be precise about is your relationship to the observed thing. And "observed thing" could include remembered thing, fantasized thing, fictionalized thing, recorded thing, trans-altered thing. It's the model that's in front of you or in your brain or your memory or whatever. So you're trying to be precise about what it is you're seeing because it's very unlikely that you're going to be able to depict it as it is.
I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.
In the beginning, I was very passionate about it, I loved it. It wasn't until I actually reached the top that I became despondent. I felt like I was betrayed, betrayed by my family, my school. I felt very angry about the whole thing. You spend 12 hours a day, dancing, and then what?
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
Music became so commercialized that I just didn't want anything to do with it. I renounced the industry before it became the fashionable thing to do.
The head sculptor, who became a mentor to me, said that the most important thing he'd ever learned was that you have to figure out what your number-one passion is and throw everything into that. And that if you didn't do that, then you're not really serving your purpose in the world, because you're not going to put that extra effort in. And I knew I loved music, so I just quit and decided to pursue it.
Your youth is the most important thing you will ever have. It's when you will connect to music like a primal urge, and the memories attached to the songs will never leave you. Please hold on to everything. Keep every note, mix tape, concert ticket stub, and memory you have of music from your youth. It'll be the one thing that might keep you young, even if you aren't anymore.
When the glam metal thing of the late '80s became too glammy, then instead of having two bottles of hairspray in your hair, it became better not to wash your hair at all. To me it's all trend stuff. I don't follow that stuff. I just do what I feel is the right thing. I don't know what the reason is for that. It's not fashion.
I remember looking at my iTunes and was like, 'I haven't listened to an album in about three months.' What happened? I was once an 18-year-old kid who would just devour everything and want to know everything about every member of every band I liked. It became this thing where I hated the idea of music, and I didn't know if I wanted to make music.
For me, the interesting thing about anorexia is that you show your wound. There's no hiding it. So my anger and sense of disappointment, all the stuff I was out of touch with, became this visible rebuke to my parents.
The coolest thing, too, is that people that have never even seen 'One Tree Hill' tell me, 'I love your music.' And I'm like, 'Oh, do you watch the show?' And they say 'No.' And to me that's even cooler because that means I'm actually starting to get country fans.
Birth of the Cool' became a collector's item, I think, out of a reaction to Bird and Dizzy's music. Bird and Diz played this hip, real fast thing, and if you weren't a fast listener, you couldn't catch the humor or the feeling in their music. Their musical sound wasn't sweet, and it didn't have harmonic lines that you could easily hum out on the street with your girlfriend trying to get over with a kiss.
Maybe you should think about the choices in your life, how someone can come and spit some kind of game to you and make you doubt every single thing that is your life, your relationship, your appearance, your job, your ambitions, your marriage, and how those thoughts can lead to choices and behavior that you never thought that you were capable of.
I grew up on M*A*S*H and All In The Family and Cheers. And then around this time, this would have been '95, '96, I was so into Friends and Mad About You, the idea of being on a sitcom became a very real thing that I wanted. It was not so much a relief. It was really exciting. It's an amazing thing to be in front of an audience.
When I became White House press secretary, there were other limitations that were thrust upon me. Bill Clinton was under pressure to appoint women to visible positions. I was 31, I'd never worked in Washington. Was I ready for this large and visible job? Still he wanted the credit. So he gave me the job but diminished the job.
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