A Quote by Edie Falco

I'm an old-school, embarrassing Joni Mitchell fan. Her music made a hook in my soul and hasn't let go for all these years. I even sing her songs as lullabies to my kids. — © Edie Falco
I'm an old-school, embarrassing Joni Mitchell fan. Her music made a hook in my soul and hasn't let go for all these years. I even sing her songs as lullabies to my kids.
When the suggestion was made that I might consider doing music of Joni Mitchell, I thought it was a fantastic idea. Joni, I admire not only for her music but for her person, because she's a person that really stands out for what she believes in.
I'm a huge fan of Joni Mitchell, and I think her music has inspired me lyrically and guitar-wise.
My mom was obsessed with Joni Mitchell; I grew up listening to so much of her music. But it was never a prerogative to emulate her.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
Soul ties. The thing that can make you hear an old-school slow jam and think of somebody you haven’t seen in years. Soul ties. The thing that makes old people who’ve been together for years finish each other’s sentences. Don’t you wish mama had told you when you were young that, when you lie with someone, you lie not just with her body but also with her soul? And whatever condition the other person’s soul is in, you are guaranteed to take a piece with you—whether you want to or not. Instead of being amazed at her booty, you should have focused on her mind.
I would make tea for Joni Mitchell or clean her car, anything to be in the studio and watch her work.
That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
I produced her first album, and I was breaking up with her at the time. That was not comfortable. Falling in love with Joni Mitchell is a bit like falling into a cement mixer!
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
I listen to a lot of old music, like Joni Mitchell and David Bowie.
I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.
The fact is that everyone at the labels wants to do what everyone else is doing. You have to look like her; you have to be like her; you have to sing like her, and no one can express themselves. I look at Rihanna and I am so proud of her. She speaks loudly! You have to stand up and clap. She expresses herself through fashion. She actually can sing. And her songs mean something, even to me, you know?
I've been watching a lot of Joni Mitchell YouTube clips and I can't believe her transformation from this folk singer in Canada.
Joni Mitchell's someone who has tried to make sense of her own world, sometimes painfully, through song.
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