A Quote by Edward Abbey
Why do I write? I write to entertain my friends and to exasperate our enemies. To unfold the folded lie, to record to truth of our time, and, of course, to promote esthetic bliss.
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We don't recount our dreams; we construct them with the materials of reality. We aren't looking for God, psychic truth or authenticity, but for esthetic effect. That's why I baptized our movement Structural, or Esthetic, Onirism. Dreams and music were our models.
If you write, write about what you do and who you are, and you can't be wrong. Don't lie about anything. You are very similar to everybody else in the world. You love, you hate, you have friends, you have enemies. Be who you are.
We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.
We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.
We ought so to behave to one another as to avoid making enemies of our friends, and at the same time to make friends of our enemies.
That is why we have to make room in our lives for people who may sometimes disappoint or exasperate us. If we hold our friends to a standard of perfection, or if they do that to us, we will end up far lonelier than we want to be.
To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.
I want to unfold. I don’t want to stay folded anywhere, because where I am folded, there I am a lie.
I think taking too long to work on a record you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour and I write and I write. And I send them to the guys, and we start planning our studio ventures.
What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.
It is better to decide a difference between enemies than friends, for one of our friends will certainly become an enemy and one of our enemies a friend.
Why do you lie" I ask her. "To block the truth." Fair enough. Naomi goes on. "Where did we get it in our heads that we need truth all the time? Sometimes lies are nice, you know? You don't have to know the truth all the time. It's too exhausting.
I want to unfold. I don't want to stay folded anywhere, because where I am folded, there I am a lie, and I want my grasp of things to be true. I want to describe myself like a painting that I looked at closely for a long time,
like a saying that I finally understood, like the pitcher I use every day,
like the face of my mother, like a ship that carried me through the wildest storm of all.
All of us have failed to match our dream of perfection. I rate us on the basis of our splendid failure to do the impossible. If I could write all my work again, I'm convinced I could do it better. This is the healthiest condition for an artist. That's why he keeps working, trying again: he believes each time that this time he will do it, bring it off. Of course he won't.
Some people are mean, and when you look at their page, they only write mean things, but I have a great time with a twitter person. It's not even to promote myself, just to entertain me.
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
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