A Quote by Edward Burns

Spielberg gave us three takes before saying anything to us. Since then, I do that, three takes, to let the actors find their rhythm. — © Edward Burns
Spielberg gave us three takes before saying anything to us. Since then, I do that, three takes, to let the actors find their rhythm.
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
Rhythm is sound in motion. It is related to the pulse, the heartbeat, the way we breathe. It rises and falls. It takes us into ourselves; it takes us out of ourselves.
You might only get three takes to do a scene; sometimes it takes longer than that to find those moments.
I hope baseball doesn't get to the point where everyone's saying, 'He takes it [steroids]. He takes it. He takes it!' because not all of us do. I've been big my whole life, and I'll always be big. That's all natural.
It takes six years to make a golfer: three to learn the game, then another three to unlearn all you have learned in the first three years. You might be a golfer when you arrive at that stage, but more likely you are just starting.
And it was just the three of us - three bodies and two people - the three who knew what had happened and too many layers between all of us too much keeping us from one another.
When I'm writing a script, before I can write dialogue or anything, I have two or three hundred pages of notes, which takes me a year. So, it's not like "what happens next." I've got things that I'm thinking about but I don't settle on them. And if I try to write dialogue before then, I can't. It's just garbage.
Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I've tried to get the overall in. I think that's more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
One of the ways the telegraph changed us as humans was it gave us a new sense of what time it is. It gave us an understanding of simultaneity. It gave us the ability to synchronize clocks from one place to another. It made it possible for the world to have standard time and time zones and then Daylight Savings Time and then after that jetlag. All of that is due to the telegraph because, before that, the time was whatever it was wherever you were.
When Dove moves up from a canter to a gallop, sometimes the only way I can tell the difference is because her hooves pound a four-time rhythm instead of a three. But when Corr moves into a gallop, it's as if it's a gait that's just been invented, something so much faster than all the others that it should be called something else...Each stride feels like it takes us a mile. We'll run out of island before he runs out of speed. We're giants, on his back.
As a rule it usually takes three or four readings for me to be interested in a script, and if I'm interested I'll read it three or four times before I make a strong decision
As a rule it usually takes three or four readings for me to be interested in a script, and if I'm interested I'll read it three or four times before I make a strong decision.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
If a man takes one day off, it takes him about three days to get the harness fitted again.
It takes an average of three hours after the first symptoms of a heart attack are recognized by the patient, before that patient arrives at an emergency room. Symptoms are often denied by the patient - particularly us men, because we are very brave.
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