A Quote by Edward Ruscha
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
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When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
I ask a simple question. Hillary Clinton has been doing this for 30 years. Why the hell didn't you do it over the last 15, 20 years? And you do have experience. I say the one thing you have over me is experience, but it's bad experience, because what you've done has turned out badly. For 30 years you've been a position to help, and if you say that I use steel or I use something else, make it impossible for me to do that. I wouldn't mind. The problem is you talk but you don't get anything done, Hillary.
It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
I moved here in 1997. It's 20 years later, and I finally feel like I'm in this business. I feel like I could call my manager if I wanted to set up a meeting to pitch something and actually get it done, based on my history and the work I've done. I can't say that I felt that way five years ago.
I like to use things that didn't exist 50 years ago, or 20 years ago even.
If you want to deal with me, email is the way you do it. Working via email means that everything I do is searchable. I can go back and check out discussion threads from more than 15 years ago.
The thing I see happening is that there's a real compression between generations. There used to be about 20 years difference (in technology use). Now you talk to 15-year-old kids and their 9-year-old brother or sister is using stuff that they don't understand.
I'm going to be doing solo stuff. The idea is to do 'small' and 'off my beaten path,' or go back to an old, beaten path - do some smaller things that I haven't done in 15 or 20 years. Just to sort of get my feet wet, because I haven't done my own material for a couple of years - I've been doing a lot of other things.
I think it really takes about 15-20 selfies that someone takes on their phone before they post the right one. There was this selfie that I took where I was wearing a white bathing suit, and it was after I had the baby, and it was a sexy pic. It took about 15 pictures to get the one that I posted. So you'll see all the ones that didn't make it. And you'll see all my selfies from the past years, including my first-ever selfie when I was four years old.
The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.
It's odd. Though I've spent years working with and creating images, I feel most comfortable expressing myself through writing. I'd been in denial about this for many years. At school I was highly lauded as having the potential to write one day, but being a typically rebellious and misguided teenager I opted to study art. Ironically language has pervaded all the work I have done - from my first forays into an art practice many years ago to my work with typography and book design.
One of my favourite items is a very old jacket - it was my mum's uniform from when she was working 15 or 20 years ago.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
20-some years ago, I'd have a big old radio with a tape deck, and I'd hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.
If you are a good writer you use your life experience to do something different than someone who is 20-years-old can do. That is where you get your power. That is our power as a group. I am not trying to make the same music I made 10 years ago.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
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