A Quote by A. N. Wilson

Everyone writes in Tolstoy's shadow, whether one feels oneself to be Tolstoyan or not. — © A. N. Wilson
Everyone writes in Tolstoy's shadow, whether one feels oneself to be Tolstoyan or not.
I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs.
Take Jonathan Franzen's work: it's just old wine in new bottles. They say he's the Tolstoy of the digital age, but there can only be a Tolstoy of the Tolstoyan age.
An English poet writes, I think, just for people who are interested in poetry. An American poet writes, and feels that everyone ought to appreciate this. Then he has a deep sense of grievance . . .
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies.
Everybody is a regionalist. Tolstoy is a regionalist - one is where one lives, where one writes.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
Everyone sort of feels alienated at that point, so it's hard to say whether I felt like that because everyone does or because I was so focused on acting [since the age of 8].
I don't quite understand what Tolstoy's actual personal view of Anna is - whether he likes her or hates her, whether she's the heroine or the antiheroine.
Everyone writes in whatever way feels comfortable to them. People write songs because maybe they don't feel so comfortable talking about whatever matters.
Everyone feels awkward, everyone feels uncomfortable, everyone gets older, everyone gets lonely, everyone gets sick, everyone eventually dies. You’re at the Aspen Ideas Fest, and you have these really smart, really accomplished people who pretend like they’ve somehow figured out a way to bypass the human condition. We live in this culture where there are so many things that want us to pretend that we’re not truly human.
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
Everyone hasn't got the power to free oneself and go away to another place or country... No one is capable of freeing oneself from society.
One writes to make a home for oneself, on paper, in time and in others' minds.
One writes to make a home for oneself, on paper, in time, in others' minds.
Decline of the letter, the rise of the notebook! One doesn't write to others any more; one writes to oneself.
I'm through with Tolstoy. He has ceased to exist for me.... If I eat a bowl of soup and like it, I know by that fact alone and with absolute certainty that Tolstoy will find it bad, and vice versa.
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