A Quote by El-P

Hip-hop is always moving. It's always looking for the next style; it's always trying to one-up the last person. — © El-P
Hip-hop is always moving. It's always looking for the next style; it's always trying to one-up the last person.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
I'm not trying to change the face of hip-hop music. I'm trying to make my records and always take the next step for me.
Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.
I'd like to see people pay attention to the science of hip hop. The knowledge part, the political side of what hip hop could do, or where hip hop is gonna go. I always say it's gonna become universal as we become a galactic union.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
I always loved hip-hop, being a black little kid. I always used to freestyle on the bus when I was young. It was always a part of my life.
Hip-hop's always reached out to kids. If you look at the last 10 big albums it might seem ironic. But when I look at the history of this music it's always had a lot of positivity.
When I made Illmatic, I was trying to make the perfect album. It comes from the days of Wild Style. I was trying to make you experience my life. I wanted you to look at hip-hop differently. I wanted you to feel that hip-hop was changing and becoming something more real.
I grew up listening to a lot of rap music. My dad's a DJ from Brooklyn, and he's a very soulful guy, so he always spun a lot of hip-hop, and that's where I get a lot of my hip-hop influence.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
I wake up hip-hop, Go to sleep hip-hop, Dream 'bout hip-hop, 'Cause I AM HIP-HOP.
I always viewed myself as kind of hip-hop's outcast, or hip-hop's stepson.
We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
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