A Quote by Elie Wiesel

I developed an anger at [Moses] Mendelssohn. Later, I read the book. I realized there was nothing subversive in it. — © Elie Wiesel
I developed an anger at [Moses] Mendelssohn. Later, I read the book. I realized there was nothing subversive in it.
[Moses] Mendelssohn was a religious Jew. I felt sorry for him.
I became one of [Moses Mendelssohn] defenders. But then I heard the words "Biblical criticism" again. And, of course, afterward, I studied it more closely.
One day - I remember it was a Sabbath afternoon - I came to the synagogue with a book in my hand. I saw a commentary on the Bible by a certain Rabbi Moshe Dessauer, better known as Moses Mendelssohn. An elderly man came up to me - I was then maybe 10 or 12. "What are you studying?" he said. "Dessauer's commentaries," I said. So he gave me a slap on my face.
Last night at Carnegie Hall, Jack Benny played Mendelssohn. Mendelssohn lost.
I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'
At 31, I decided to learn how to read and, at 32, read my first book: Lee Iacocca's autobiography. Ten years later, with my friend Larry 'Smokey' Genta, I wrote my first book, which was my proudest accomplishment.
The picture of Kant as the 'theological Robespierre' or the "world-crusher" was first suggested by someone with whom Kant stood in a relation of philosophical disagreement but also great mutual respect: namely, Moses Mendelssohn.
I was given a dictionary when I was seven, and I read it because I had nothing else to read. I read it the way you read a book.
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
When I first read 'On the Road,' it helped me figure out how to live against the grain. Now I wonder how to be subversive when the subversive has become mainstream.
There is nothing wrong with anger. Anger is a beautiful emotion, as valid and rich as joy or laughter. But you have been taught to repress your anger. Your anger has been condemned. If anger is unexpressed, it will slowly poison you. The key is to know how to express your anger. Do not throw it out onto any one. No one is responsible for your anger. Simply express your anger. Beat up a cushion. Go for a run. Express your anger to a tree. Dance your anger. Enjoy it.
It's amazing to see things that are suggested in the book fully developed and so brilliantly realized through the artistry of the designers.
Through an experience that simultaneously involved my sensibility and intelligence, I realized early on that the imaginative life, however morbid it might seem, is the one that suits temperaments like mine. The fictions of my imagination (as it later developed) may weary me, but they don't hurt or humiliate. Impossible lovers can't cheat on us, or smile at us falsely, or be calculating in their caresses. They never forsake us, and they don't die or disappear. --The book of Disquiet
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
According to Miller, Pharisee Judaism is not a religion at all, but a secret society posing as a religion, a "sect with Judaism as a rite." She cites Moses Mendelssohn who wrote "Judaism is not a religion but a Law religionized."
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
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