A Quote by Elif Batuman
When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners?
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How do you make RoboCop? How do you slowly bring a guy to be a robot? How do you actually take humanity out of someone and how do you program a brain, so to speak, and how does that affect an individual?
I've made game-winners, I've missed game-winners. I've pitched shutouts, and I've given up 10 runs. You just deal with the experiences and learn how to get over the bad outings and learn from them, so they don't occur time and time again. You take what you did right from the good games and turn those into, 'How do I repeat that success?'
We get more data about people than any other data company gets about people, about anything - and it's not even close. We're looking at what you know, what you don't know, how you learn best. The big difference between us and other big data companies is that we're not ever marketing your data to a third party for any reason.
There are lots of cases where we know more about how the world works than we do about how we know how it works. That's no paradox. Understanding the structure of galaxies is one thing, understanding how we understand the structure of galaxies is quite another. There isn't the slightest reason why the first should wait on the second and, in point of historical fact, it didn't. This bears a lot of emphasis; it turns up in philosophy practically everywhere you look.
I think it's important, whether it be learning from how a guy takes care of his body, how a guy studies, how a guy is a mentor, how a guy is a leader, you take bits and pieces that fit the person you are and you don't try to be somebody you're not.
Those are the stakes that are constantly there and how do those stakes change you? How does that change the person you are? If it does just turn out to be about survival then is that living? How does that make you, you? How does that change your identity? That picture of the governor, his wife, and his daughter, he wasn't that guy before this all started. People dying around him changed him into that.
The difference between the real winners is how long they take to feel sorry for themselves. My winners feel it... but they come back up and say 'hit me again.'
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
When I decide to write a story, I don't think too much about what I want it to be, I just let things come naturally and this is how it turns out. It's just how my subconscious works.
Any story has a beginning, middle, and end, of course, but the question is, where do you start it exactly? It's about a guy who is murdered in a fistfight, but how does it evolve and what does it mean? That's what I discovered scene by scene, and this innovation of coming in as a first-person narrator was a complete surprise to me. It just happened.
What separates the winners from the losers is that winners are able to handle problems and crises that they never imagined would occur. You hit the floor, but what counts is how fast you can get up and regroup. Failure is simply part of the equation.
In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.
About the book of Job: If it were today, God might be asking "How does DNA carry traits? How are instincts passed on in animals? How does consciousness arise in the human body and brain, and what is consciousness? What is dark matter? How did the big bang happen? Why does the speed of light appear to be absolute? Is cold fusion possible? How do you program a TV remote control?
The culture war is between the winners and those who think they're losers who want to become winners. The losers think the only way they can become winners is by banding together all the losers and them empowering a leader of the losers to make things right for them.
How does God teach me love? By putting me around unlovely people. How does God teach me joy in the middle of grief? Not happiness, which is based on happenings. How does God teach me peace? Not when I am out fishing and everything is going my way and it doesn't get better than this. But in the middle of chaos. How does God teach me patience? By putting me in His waiting room.
I basically learned that you must get out of your losses immediately. It's not merely a matter of how much you can afford to risk on a given trade, but you also have to consider how many potential future winners you might miss because of the effect of the larger loss on your mental attitude and trading size.
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