A Quote by Elisabeth Shue
People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.
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Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
Oftentimes when people make movies about the '80s, they go back and look at '80s films, [but] those look nothing like the '80s. It's some watered-down version of reality.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
There's something strange about theater. My characters consistently demonize elitism, but of course it's taking place in a theater where only so many people can see it. I've been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
There’s something strange about theater. My characters consistently demonize elitism, but of course it’s taking place in a theater where only so many people can see it. I’ve been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
What I love about movies is, no matter how many people are involved or how complicated the process is, at the end of the day, it's just what's inside of that frame. It's going to be people sitting in a movie theater watching one shot at a time. And that's my focus.
My love of movies started when I was 7 years old, living in a small town, going to the movies all the time, and finding the people in the movies more interesting than the people in my small town. Also, at that time, it wasn't that easy to find out about movies.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. Although I do like 'The Last House on the Left,' and things like that, I do like these ridiculous monster movies.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
I like to make movies the way people made movies in the '70s, where they lived and died with these stories, and cared about them, and went to war for them, and they all said something they wanted to say.
I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.
I do like a lot of the '70s movies. I love Charles Bronson in 'Hard Times.' All my favorite movies where ones from yesteryear. The '70s was a good era. I love all those.
As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.
Lars von Trier makes funny, radical movies, some packing power. But, he's not a provocateur. He's making adult movies for an adult audience. Pasolini, too. Fassbinder, too.
I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
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