A Quote by Elizabeth Debicki

Our industry is so technologically driven that often I Skype with directors or send tapes in to people. It's so common now that sometimes even when I'm here I'll be send tapes for things that are based in the U.K. There's never really a right place, right time anymore. Even something that's L.A. based, the director might be in New York or they might be on location in Budapest. I think everyone's really accepting of the fact that people are all over the world all the time. In a funny way, you can be an actor now and live anywhere, so long as you have internet.
I like to think of myself as a child of the world. I really am based in New York but I find that even though I'm based there, I'm gone more often than not.
I'm definitely bicoastal, but I have to say, it's easier to live in New York than in L.A. I feel like people respect other people's space a bit more here. Everyone has the right to that freedom, right? Everyone has that right. It's freezing in New York right now. In L.A., it's sunny. But I would choose freezing over being followed.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.
Things are so busy and so quick, and there’s so much going on, you have to realise the time when you have to take a step back, take a breath and really think back to where you come from. I’m from a very, very rural place. There’s really nobody out there, just roads and farms. I had a long transition to get to where I am now. I moved away when I was young, when I was about 19. I’d literally come from an area with dirt roads and stuff like that, right to the centre of a city of about five million people. It’s been great. I’m based in New York and every day it's amazing.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
People send everyone hate mail. That's the way the world works right now, I'm nothing special.
Every time you have an occasion to take something from the federal government and send it back to the states, that's the right direction. And if you can go even further, and send it back to the private sector, that's even better.
I mean, we all carry some form of that bias, right? I mean, it might be based on age, it might be based on gender, it might be based on sexuality, and it's certainly based on race.
I just put people on my records that I think bring something really unique to the song, and that's what's going to make it live over time. Not the fact that an artist might be 'hot' at the time.
Even though I was based in New York, I would travel all over the world, meeting so many different types of people, and that's really when my understanding of diversity deepened.
Every religion I know of has changed its views with respect to concrete controversies over long periods of time. People's views about the morality of homosexuality are likely to undergo some change, even though they're making judgments based on their religious beliefs. Because in fact, religion is an extremely durable, and yet flexible, way of trying to apprehend what's good and what's bad in the world. In fact, its durability comes from its flexibility. Now, speaking from inside a religion, it's hard to talk that way.
One thing is funny because my grandparents are going to come see the show and my mom was concerned that they wouldn't understand, because so much of it is Internet-based. Our generation specifically really relates to it, because we were the first people to discover the Internet and most of us can maybe navigate the Internet better than our parents can. All this information you could ever possibly know is right at our fingertips, not to mention the fact you can meet anyone!
I think the only thing that we know how to do is look at our characters and ask what is the character doing right now and what do we need to do, and tell it from that place. If we really make it character driven and theme driven, I think we're going to offer up something new for the audience.
You have to get the casting right. You have to get the people behind it. Your director might not be the right director for the project. And then, it has to test and those people in that room, wherever they are, have to turn those buttons the right way at the right time.
I think that anyone who lives in New York, who's lived here, who's spent any time here, knows that it's basically a love-hate relationship, you might say. Even though I still think it's the greatest city in the world and I wouldn't live anywhere else, there're still things about it one doesn't like. The love far outweighs the negative.
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