A Quote by Elizabeth Gilbert
Which is - you know, like check it out, I'm pretty young, I'm only about 40 years old. I still have maybe another four decades of work left in me. And it's exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book, right?
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So here you are, in your twenties, thinking that you'll have another 40 years to go. Four decades in which to live long and prosper.Bad news. Read the papers. There are people dropping dead when they're 50, 40, 30 years old. Or quite possibly just after finishing their convocation. They would be very disappointed that they didn't meet their life expectancy.I'm here to tell you this. Forget about your life expectancy.
How this feels is I'm just another task in God's daily planner: The Renaissance pencilled in for right after the Dark Ages. The Information Age is scheduled immediately after the Industrial Revolution. Then the Post-Modern Era, then The Four Horsemen of the Apocalypse. Famine. Check. Pestilence. Check. War. Check. Death. Check. And between the big events, the earthquakes and tidal waves, God's got me squeezed in for a cameo appearance. Then maybe in thirty years, or maybe next year, God's daily planner has me finished.
You know, many people who become famous and enjoy great success when they're young disappear after that. Maybe I've lucked out because I came back and went to work.
Watch your attitude. I don't mean to sound like so much of an old head, but there is another generation behind me, out there, doing it now. I find that, with the whole hip-hop generation, there's a lot of attitude. Whether it's confidence or arrogance or whichever, I will always say to a young guy, “Nobody wants to work with an asshole.” You know, you can still be a great player. You can still play all of the baddest licks in the world. But if you don't have a good attitude, nobody's going to work with you.
I came to the Steelers after four years of high school and four years of college, and now I look on my stay here as 13 years of postgraduate work; I think I'm ready for the world.
The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.
I'm a professional geologist, an explorationist for oil. That's what I've done in my career, one that's culminated in - at least to this point - playing a part in finding the largest field in the last 40 years anywhere in the world. That's the Bakken field, which I believe will yield 24 billion barrels of oil in the decades to come, maybe more.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.
I went out with a 40-year-old when I was 19, and since then, I don't really think much about numbers meaning anything. But I do feel like maybe I've neglected to work on developing emotionally and taking care of myself.
Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
I'm very much a man of the moment. I can think about an idea for a year, two years, even four years all right, but what ever is going on with me the moment I write is gonna work it's way into the piece.
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
It's hard if you're just touring constantly. It's like, "What am I going to write about? I'm in the van, I'm playing another show..." I'm still writing about heartbreak that happened years ago. I don't see the point of writing and putting out another record until I can do something else.
My work is all that I think about because I spent so many years not doing anything. Therefore, work pleases me, which is success in itself.
There was a point when I was very young where I remember talking with my mom about going to drama school and this was maybe when I was 8, 9, 10 years old - and she knew that I was also academically very capable, and she steered me in another direction.
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