A Quote by Elle Fanning

Possibly. I know on set, they were talking about ‘oh, a sequel’ or something. That would be way down the road, because this one we just finished. So, [I’m] not even thinking about that again. But they could be thinking about it. That would be fun.
Most of our songs were just talking about what we had seen in the ghetto. We weren't thinking, 'Oh, this is going to be large and we'll have gold records.' We were thinking it would be local and we'd make a couple of bucks.
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
I was always talking about what I could and would do, and you would always make rhymes about the competion even though we werent thinking about competition.
I made a note in my head to be aware of things as they were happening, because they might not happen again. Up to that point, I was not really that appreciative of what was going on, or thinking about documenting life in a plainspoken manner. I was talking about my life and writing songs, but then I would go back and listen and they were about dreams, and legends, and metaphors and that was just not my life!
The idea kind of started with me just thinking about what would be fun to see in animation, you know - what have I not seen? For some reason, I got thinking about the human body and realizing, well, I've seen, like, traveling through the bloodstream and into the, you know, stomach and things.
If we really care about safety we would close down WikiLeaks. We would treat the people at WikiLeaks as enemy combatants. We would declare that the kind of thing this private did is treason. WikiLeaks is not a fun and games event. WikiLeaks undermines profoundly the ability of the United States to work around the world. Why would you, if you were a foreigner thinking about helping the United States, why would you confide anything to an American when you know that it could end up in The New York Times based on some leak?
If you’re thinking about coming to Tom Savini’s Special Make-Up Effects Program just STOP. Stop THINKING about it and just DO it. Aren’t we talking about making your dreams come true? Our students’ attitude is ‘This is school?’… because they are having so much fun every day doing what they love… and… they get a degree!
To be honest, I'm not even thinking about America. If I was to start thinking about the enormity of 'Downton' and the size of the project, then I wouldn't be able to be very truthful to the work. I would start to watch myself too much. I'm not even thinking about it. Who knows what will happen.
It is absolutely vital to preserve a space where the mind, by means of poetic thinking, can move in a free, even anarchic, way. It must do so, in order to find deep truths that would not be otherwise available, ones that we desperately need. Anyone who writes poetry knows what I'm talking about, because they've had the experience of thinking this way.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.
I think when wedding dresses are talked about, every woman has a different set of factors in her mind of what it could be because they've been thinking about it possibly for such a long time.
People who would not be using the word gender or thinking about gayness or trans-ness may actually, without even thinking about it, be not their own gender in their inner world. I think that's actually so normal, because female sexuality is sold to all of us. It doesn't just reach the eyes of men. You might not care about the idea of boobs or jugs or whatever, but it could impact your inner sexual life.
You remember that I told you it was safer not to know. But,' he went on, as his hands moved wuth their sure and practiced motion, 'I will tell you just a little, because you were so very brave.' Brave?' Annemarie asked, surprised. 'No, I wasn't. I was very frightened.' You risked your life.' But I didn't even think about that! I was only thinking of-' He interrupted her,smiling. 'That's all that brave means-not thinking about the dangers. Just thinking about what you must do. Of course you were frightened. I was too, today. But you kept your mind on what you had to do. So did I.
I was thinking about framing, and how so much of what we think about our lives and our personal histories revolves around how we frame it. The lens we see it through, or the way we tell our own stories. We mythologize ourselves. So I was thinking about Persephone's story, and how different it would be if you told it only from the perspective of Hades. Same story, but it would probably be unrecognizable. Demeter's would be about loss and devastation. Hades's would be about love.
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