A Quote by Elle Fanning
I feel like with every character, you try to put yourself in that person's position and just completely use your imagination. That's what I do, at least. Everything is just pretend.
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I just try to put myself in the sense of being a character, sometimes male. I suppose I just like the idea of trying to be different people coming from all kinds of different angles. Most of it was just from my imagination.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
And what I'm telling you now is not for you to go out and try the same ways I try, or not to even try my technique. Just put it to your personality, put it to yourself, and you develop your workout. Cause those books and things, those are other people's gimmicks and hypes. Build your own gimmick and hype, and that'll make you a better powerlifter. Not just doin' it like James does it, cause if you try to fly off the building like superman you'll be out there in the middle of the street.
Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
In acting you have to not be yourself. It's like whatever character is put on, you have to just to turn into that person.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
When I feel really insecure, or I'm in a social situation where I'm nervous about how I come off, or I'm trying to control the situation too much, I literally just try and use the same muscles that I had to use on stage - just paying attention to the other person and trusting yourself to respond as emotionally honestly as possible.
I feel like every five to seven years I really need to put myself in this position of discomfort and exploration, just to survive. Otherwise I feel like I'm falling asleep, like I'll go crazy if I don't do it.
I feel like you have to pull from some personal experiences [to acting]. At least that's how I work sometimes. It's just easier that way. And I try it as best as I can and kind of dissolve myself and become a character, not me, or just blur the lines.
Express yourself completely, then keep quiet. Be like the forces of nature: when it blows, there is only wind; when it rains, there is only rain; when the clouds pass, the sun shines through. If you open yourself to the Tao, you are at one with the Tao and you can embody it completely. If you open yourself to insight, you are at one with insight and you can use it completely. If you open yourself to loss, you are at one with loss and you can accept it completely. Open yourself to the Tao, then trust your natural responses; and everything will fall into place.
Be as honest with yourself as possible, and try to make friends with people who like you for you - not an iteration of who you are, or who you think you should be - but really like you for you. And when you're creating whatever you want to do in your life, just try to create and put out the truest version of yourself into the world.
But sometimes it's like you just meet someone and you just know that you're totally connected, and this person is, like, your brother - or your sister. Even if they don't, like, recognize it, you feel it. And in a lot of ways it don't matter if they do or they don't see that for what it is - all you can do is put the feeling out there. That's your duty. Then you just wait and see what comes back to you. That's the deal.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
If somebody feels a certain way about me and I feel like they're misunderstanding me, I don't need to explain myself. I just try to shy away from it and just pretend like it never happened, and try to rekindle the friendship and let him know that its not like that.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
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