A Quote by Elle Schneider

I certainly wasn’t Roger Deakins, but I felt like I could be. — © Elle Schneider
I certainly wasn’t Roger Deakins, but I felt like I could be.
To me I just, I'm a geek when it comes to cinematographers . And when it comes to Robert and when it comes to someone like Roger Deakins who shot Prisoners and he shot Jarhead.
For me certainly Earl Campbell and Tony Dorsett come to mind, and Roger Staubach. I've grown up here in Dallas watching Roger and his playing career and to be in the same fraternity as Roger Staubach is/was a huge deal for me.
Everyone knew how powerful Roger Ailes was. I certainly felt intimidated by that; the culture of 'Fox and Friends' was intimidating to me.
I do not like eating meat because I have seen lambs and pigs killed. I saw and felt their pain. They felt the approaching death. I could not bear it. I cried like a child. I ran up a hill and could not breathe. I felt that I was choking. I felt the death of the lamb.
Other kids could read, other kids could write, other kids could spell, they could do math. I felt like an alien. I felt like an outcast. I felt like, 'What is going to happen to me?'
I feel like I'm a graduate of the Roger Corman School of Filmmaking. I went and visited Roger on the set of Dinoshark and that's in the movie. That's where I really got a big whopping taste of what it's like to be on one of his sets.
There's a long tradition - certainly with country, but in all kinds of genres of music - to have humorous lyrics. Certainly with Frank Zappa and the Mothers of Invention and, if you look at country, Roger Miller and Jim Stafford.
I wish I could play like Roger Federer.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
When I was little, I loved books that gave me lots of detail so that I felt like I could be transported to this other place, or, in the case of an illustration, I felt like I could walk into the page.
My first exposure to what Hollywood was like, behind the scenes, was when Joel Silver started screaming at Roger Rabbit at the beginning of 'Who Framed Roger Rabbit.'
If I were doing somebody else's script or I adapted a book by Philip Roth, on set there could be a million different interpretations of the material and people could argue with me. Certainly on Synecdoche, New York we had discussions and arguments, but I felt like I had authority because I'm a writer.
I never apologized for anything in my life. The only thing I'm sorry about is putting a curse on Roger Ebert's colon. If a fat pig like Roger Ebert doesn't like my movie, then I'm sorry for him.
Certainly I would like to have some of the qualities of other players and obviously from Roger Federer. But believe me, there are plenty of other abilities that are important, particularly mindset and strength.
I'm sure as an infant, no matter what I looked like, I felt like the most loved kid getting those massages. So I really think that was a big part of my growing and my brain developing. Most of all however, I think it was the love that was given to me unconditionally and I felt that my whole life. It certainly wasn't that my parents always liked what I was doing, even my becoming a doctor, my father preferred I went into business so he could help me, but I wanted to be a doctor.
At the age of 50, I did "Celebrity Fit Club" and I had to get on a scale and be weighed in front of everyone. I felt like I was naked and for the first time, there was nowhere to hide. I felt like I could finally be myself. It was really cathartic, and I realized I could share my mistakes. I could tell my story and not be ashamed, and show others with these same problems that they aren't alone.
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