A Quote by Elliott Gould
There's so many people dependent on our work for their living or their livelihood. You do something whether it works or whether it doesn't. Once you're committed and you do it, it becomes a part of your life. I wouldn't be sorry about it. I'd learn from it.
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Giving and receiving are at bottom one thing, dependent on whether one lives open or closed. Living openly one becomes a medium, a transmitter; living thus, as a river, one experiences life to the full, flows along with the current of life, and dies in order to live again as an ocean.
Behavior used to be reinforced by great deprivation; if people weren't hungry, they wouldn't work. Now we are committed to feeding people whether they work or not. Nor is money as great a reinforcer as it once was. People no longer work for punitive reasons, yet our culture offers no new satisfactions.
The Alexander Technique will benefit anyone whether they are an elite athlete or whether they just wish to live life without the aches and pains that many people suffer and accept as part of life. It is a pity that these techniques are not shown to us all at an early age for I have no doubt that this would alleviate many of the causes of ill health in our communities.
People talked about being a parent, or being a mother or a father. We don't talk about "wiving" our husbands or "friending" our friends, or "childing" our parents. We just talk about being in a relationship with those people. You don't measure whether your marriage was good based on whether or not your husband is better now than he was 10 years ago, or whether your friend is richer than when they first became your friend. The relationships between parents and children is a kind of love, rather than a kind of work.
Songs, a while ago, became the medium through which I process most of the information that I receive and feel. But I go back and forth about whether this is all of life or whether you're missing something important in living and whether or not, as a humanist, you're abnegating a certain responsibility if this - this art - is just where you are.
I divide the word into learners and nonlearners. There are people who learn, who are open to what happens around them, who listen, who hear the lessons. When they do something stupid, they don't do it again. And when they do something that works a little bit, they do it even better and harder the next time. The question to ask is not whether you are a success or a failure, but whether you are a learner or a nonlearner.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever.
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
I think people solidify the direction they want to go and the style they want to have once their puberty passes. I think your twenties is when you learn new things and you have the opportunity to give your all to something, whether it's work or love.
It's not a matter of how much you know or can define, or how many millions of mantras or thousands of prostrations you have done, or how many months of wangs you've attended. The important thing is whether or not the mind is really changing, whether our negative emotions are really coming under control, whether we are really beginning to understand ourselves, whether our mind is really improving, and whether in our hearts there is genuine love and caring for other people.
Our ties are deep and long-standing. We are dependent on each other. And no matter what the issue of the day, whether it be softwood lumber, whether it be a war in Iraq, we need to continue to work together.
I don't know whether it's spiritual development or trying to learn the psychologically with being an actor, but I realise the more I get into it that this was something I was always supposed to do. That allowed me to sit easiser in the life I was living. But that doesn't mean to say you just stroll through it. It takes work and the work is not always about acting. It's sometimes about how you deal with the ups and downs of hope, of expectation.
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. . . . So long as I've learned something about why.
Once you have a child, that becomes your life, and while that's the way it should be, I sort of have a love affair with my work. Having said that, many of us work far too hard and we don't put enough value in the epicurean, sensual part of life.
I've been around a long time and I've found that these forms, whether it's the cartoon, or whether it's a play, or all these dying forms refuse to die. Something happens to rejuvenate them and it will certainly happen to the political cartoon. It will come back. But whether it's on the internet, or whether it's in some other form, however that works, whether it looks the way it looks now, or entirely different, I have no idea. And thank God I don't have to worry about it.
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