A Quote by Ellsworth Kelly

All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist. — © Ellsworth Kelly
All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist.
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
I would like to break out of this "dark, brooding" image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Everytime somebody says "He's dark and brooding" I think: "He's about to lay an egg".
I'd sort of dabbled in Black Magic, not practicing it, but I was interested in it. All these horrible things kept happening to me - a lot of my aunts and uncles started dying and I was seeing all these bloody things visiting me during the night.
I seem to be attracted to the quiet, brooding type. But not too brooding. Too brooding can be narcissistic. Or psychotic.
Me being an artist working with dancers and seeing how hard they work, they are the first to show up and the last to leave. They work just as hard, if not harder, than me - and they never get credit for it.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
As a young artist working in multiple mediums, the work and especially the writings of artist Laszlo Moholy-Nagy were very important to me.
Dreams and waking life are both the same kinds of things. The difference is that dreaming is perceiving free of external constraints, whereas perceiving otherwise is dreaming true. Meaning what you dream about actually happens.
The good things about Chicago save me on a daily basis, like getting to work with my students, seeing a beautiful part of the city, or seeing the people that I love.
Association with my pupils has kept me young in my work. Criticism of their work has kept my own point of view clear.
As an artist, you have to work hard for things that you can't really hold in your hand. I work not for money but for my career, to expand myself as an artist. Every video I make, it's not making me any money; it's just because I want to expand.
Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
I like taking my time and seeing the things around me and appreciating the now. I started to realize that the things that helped me do that were these things that brought me love, brought me joy. And if we're all just falling towards an eventual end, falling towards the ground, then these things are parachutes.
Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
On seeing one thing, you see all things. On perceiving an individual's mind, you perceive all mind. Glimpse one truth, and all truth is present in your vision, for there is nowhere at all that is devoid of the Truth.
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