A Quote by Emile Hirsch

We want to do for 'Hamlet' what Baz Luhrmann did for 'Romeo and Juliet' in terms of like a really cool kind of re-imagining. — © Emile Hirsch
We want to do for 'Hamlet' what Baz Luhrmann did for 'Romeo and Juliet' in terms of like a really cool kind of re-imagining.
I think Baz Luhrmann's 'Romeo + Juliet' is a work of genius.
I thought Leonardo DiCaprio was amazing in Baz Luhrmann's 'Romeo and Juliet.'
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
I thought Leonardo DiCaprio was amazing in Baz Luhrmanns Romeo and Juliet.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.
Baz Luhrrman's movie Romeo and Juliet is what made me decide that I wanted to dedicate my life to making films one way or another.
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people, Romeo and Juliet, took a chance and they did it. We don't have the balls that Romeo did.
I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did.
What I've always loved about watching movies myself of course that's [Bas] Luhrmann. His Moulin Rouge! is incredible, his Romeo + Juliet. Wow. You know. When I saw those, those really were transformative films for me.
I did a crazy version of 'Romeo and Juliet' once, and I played Romeo.
After drama school I did a seven-month tour of Europe performing in 'Romeo and Juliet.' I played Romeo.
What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?
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