A Quote by Emily Mortimer
The odd thing is if you asked me to do the accent now I would find it very difficult unless I was also playing that part, because I associate it so much with entering into the role and stepping into someone else's shoes.
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I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.
It's more enjoyable when I'm disguised in some way; stepping into someone else's shoes is part of the reason why I became an actor.
When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.
I think playing any iconic role when you're stepping into big shoes, into the shadow of people who have come before you and you can't process that.
There's a part of us that looks at our iPhones instead of talking to people because we're shy or because we're a little uncomfortable, but there's also a part where everyone is working so fast and so hard that to actually listen, or to be thoughtful, or to do what you suggested, which is to take even a moment to say, "What can I do that would express care for somebody else?" that is a difficult thing for people to do because they're so overwhelmed with business.
Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
Having an interview in English is difficult for me, but acting in English is much harder. Because when I'm acting in English, if someone points out bad pronunciation or accent, I cannot focus on my emotions anymore, so it was very hard.
It's an odd thing but when you tell someone the true facts of a mythical tale they are indignant not with the teller but with you. They don't want to have their ideas upset. It rouses some vague uneasiness in them, I think, and they resent it. So they reject it and refuse to think about it. If they were merely indifferent it would be natural and understandable. But it is much stronger than that, much more positive. They are annoyed. Very odd, isn't it.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
I go straight in very close to people and I do that because it's the only way you can get the picture. You go right up to them. Even now, I don't find it easy. I don't announce it. I pretend to be focusing elsewhere. If you take someone's photograph it is very difficult not to look at them just after. But it's the one thing that gives the game away. I don't try and hide what I'm doing - that would be folly.
You know what it is, when I'm playing a role sometimes, I just tend to stay in that role. It's easier to maintain. We just shot a pilot in a very thick American accent. I feel like the character lives in me. Of course, my family tease me about it.
Everyone has a right to be interested in himself, and I am confident that God wants us to be interested in ourselves first; that is, the first soul that anyone should bring to God should be his own soul. We cannot do very much for anyone else until we have first done something for ourselves. That is, it is pretty difficult to give someone else an education unless we have some education ourselves. It is pretty hard to get someone else to think unless we ourselves are thinkers.
Acting for me was hard enough without having to think of the accent. And also, when I was auditioning for stuff I would walk into the room with an Australian accent, and I would do the audition in an American accent, and they would invariably say, 'Yeah, it's that good, but I can still hear the oddity coming through.'
I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.
Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
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