A Quote by Emma Donoghue
I think sometimes the way to preserve the magic of a book is to throw it away - meaning, not to cling to the way a book does its magic but to find a cinematic equivalent.
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I have always believed in the magic of childhood and think that if you get your life right that magic should never end. I feel that if adults cannot enjoy a children’s book properly there is something wrong with either the book or the adult reading it. This of course, is just a smart way of saying I don't want to grow up.
The Bible is not a book that you can open and say, 'Now, Lord, put some magic into my soul that will open up the meaning of this book.' There is only one way really to understand the Word, and that is through wrestling with the circumstances and happenings of life.
There is nothing else in magic but the wild thought of the bird as it casts itself into the void. There is no creature upon the earth with such potential for magic. Even the least of them may fly straight out of this world and come by chance to the Other Lands. Where does the wind come from that blows upon your face, that fans the pages of your book? Where the harum-scarum magic of small wild creatures meets the magic of Man, where the language of the wind and the rain and the trees can be understood, there we will find the Raven King.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
I didn't do too much. I came here (to The Magic Castle) and learned about magic. I read a book, but not his father's book. Sorry about that.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
Edward Eager wrote a series of children's books that are in danger of being forgotten. But they're divine: stories about ordinary kids who stumble on magical things - a coin, a lake, a book, a thyme garden, a well. The magic changes them, they try to change the magic, the magic moves on.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
Every book that you pick up takes you a step away from your real world, but if you read a book about magic, it takes you an extra two steps.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
Stairs," Valkyrie said, disappointed. "Not just ordinary stairs," Skulduggery told her as he led the way down. "Magic stairs." "Really?" "Oh, yes." She followed him into the darkness. "How are they magic?" "They just are." "In what way?" "In a magicky way." She glared at the back of his head. "They aren't magic at all, are they?" "Not really.
I do think of 'The Idiot,' in a way, as a self-standing book about a certain struggle to make meaning, the struggle for a girl to find meaning outside of the romance plot.
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