A Quote by Emma Healey
When I was very small, I loved 'Meg And Mog' by Helen Nicoll and Jan Pienkowski. I had all the books and remember going to see the theatre production.
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I grew up in a small village outside of Krakow, and when I was small we had only a small television, and we had only one and two programs. I remember it was black and white. And I loved to watch Charlie Chaplin. I was so small, but I remember his movement.
I remember going to see 'Starlight Express' almost every birthday I had as a treat because I just loved it, and the idea that you could rollerskate in a sort of scary old theatre... It was sort of a novel concept.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
I remember as a little girl going down to the beet fields in the Dakotas and in Nebraska and Wyoming as migrant workers when I was very, very small, like, I was, like, 5 years old, I believe. And I remember going out there, you know, traveling to these states and living in these little tarpaper shacks that they had in Wyoming.
It is important to show up. Showing up at marches and rallies and town halls and protests. I remember I was really quite sad from Election Night last year until Jan. 20. And then I remember waking up Jan. 21 and seeing these amazing Women's Marches across America, and I thought to myself, That's the country that I know. And that's a larger populist movement that I'm seeing than Donald Trump's relatively small populist movement. And that gave me a lot of hope and energy, and from that day forward, I've taken a view that we'll flip the House next year.
I've known Jan, probably, very well for, well, for over a decade. And the passion that Jan just showed the viewers in that particular piece is very real.
I always loved acting. I always loved realism. I loved the theatre, specifically small audience, real-sets stuff.
I was always a slow reader, from the very beginning. I remember in first grade our teacher divided us into groups, and I was definitely in the slow group. She didn't call it that, but everybody in the class knew. But I still loved reading. Being a slow reader affected my grades in school, but it didn't affect my love for reading. I still loved going to the library, and I still loved reading books.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
I remember a time when I was younger, when if you had to see an actor, you had to go to the theatre and watch a film.
The theatre starts every night at half past seven, and I like the rhythm of going to the theatre, parking the car, going to the stage door; I've grown up with all of that. I'd love to do more theatre - I mean, I shouldn't be telling the world that I can't remember lines any more, but I find it more and more difficult, so I don't know.
I got the O.B.E because I represent England outside of England more...but thinking of me as an actor, I haven't done all the classical theatre, all the great roles. Think of Helen Mirren and me. Helen, who I adore, is a friend - should be Dame. I am the rebel, the revolutionary on the side.
I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.
I had my appendix removed in my 20s. I was in the middle of a play with Helen Mirren at the Royal Court Theatre, a fabulous career break. Then two weeks in I began suffering the most horrendous pain and had to pull out. Sadly, by the time I'd recovered, the show's run had ended.
Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.
We were shooting at the Kodak Theatre and to see my production company's clap board in front of Sylvester Stallone was overwhelming, I had to pinch myself. It was a magical moment. It was a different high.
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