A Quote by Emo Philips

I saw a psychologist once because I thought I had depression. It cost me $100. When I left, I realised that there's nothing he could have said that would cheer me up as much as if I found a $100 bill on my way home.
I keep a $2 bill rolled up in every pair of boots I own because one time, an older guy came up to me at a farmer's market I was playing in Memphis, handed me a $2 bill, and said, 'Stick this in your boot.' And when I stood back up, he handed me a $100 bill and said, 'Thanks for listening to me. Stick this in your pocket.'
If someone had said to me before I started doing this that a human being is capable of running 100 miles nonstop, I would have just said: 'No way. I mean, how?' If you just go out there and run 100 miles, it breaks down a lot of barriers in terms of self-imposed limitations.
I've had the acting bug since I was, like, five. But growing up, I saw how people treated me differently when they knew who my father was, even the stuff I did on the field. Sometimes I'd rush for 100 yards, and the headline would be, 'Denzel's son runs for 100 yards.' That's where the suppression of that bug came from.
Now these fellows in Washington wouldn't be so serious and particular if they only had to vote on what they thought was good for the majority of the people in the U.S. That would be a cinch. But what makes it hard for them is every time a bill comes up they have things to decide that have nothing to do with the merit of the bill. The principal thing is of course: What will this do for me personally back home?
Jeff Sachs has the Millennium Villages. He spends $2.5 million in one village. It's an absolutely ridiculous model, because I've said that if you gave me $2.5 million, I can train 100 grandmothers, solar electrify 100 villages - 10,000 houses - and save you 100,000 litres of kerosene.
I was feeling a bit down, I went to a therapist a few times, at a hundred bucks a pop. But then I realized that no therapy session would ever cheer me up half as much as if I was just strolling along and found a hundred dollar bill.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
With Paul Levesque and the conversations we have had I've found him to be a straight shooter and everything he said with me he kept his word 100%.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
I was fortunate enough to get a job at my alma mater, which brought me back to Indiana after being gone for twenty years. There is no way I would have written these poems had I not come back. They are 100% the product of the circumstances that led me home.
I had people sleeping in front of my home. I couldn't go anywhere. It confronted me from the moment I woke up. There would be 100 people at the lot where we shot 'The Partridge Family.'
I never really thought that the 100 would be one of my specialities I guess, but I think that's because of my 200 work - it gives me a good back end and allows me to hold on.
I thought I would go win 100 in a row with 100 knockouts.
If you want to survive in the film industry, it's not about fighting for your visions because that's a given. It's thinking about how much is your vision going to cost, and then, what are the consequences, because you may have $100 million, but the reality is that $100 million needs to make $500 million to be a success.
Every now and then you think about your life, what you would like to be, you start at Number 1 and you go down to 100. And down at the bottom, 100, was - Stage. Go figure. That would be the last thing. It terrified me, man. But I had to do it.
Music is so 100 percent for me that the idea of giving that up in any way, shape, or form would be terrifying to me.
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