A Quote by Eric Benet
I think the one thing that never goes away is soul and emotion and vulnerability and finding your strength in our vulnerability. I think when I apply all of that to music, it somehow just ends up being classic. It's the sum of a bunch of things that never go away.
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Sometimes you need to turn things down in the interest of being able to do the weird, magical thing that you do that takes so much of your time, and effort, and requires so much of your vulnerability and presence. If you don't take care of yourself, that goes away and you don't have a leg left to stand on.
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.
There is great strength in vulnerability, as it takes courage to push through the fear and share one's true self with others. In music, that vulnerability really speaks to listeners as it connects with their own hearts.
I just don't believe in abortion, period. But I would never take away a woman's right to choose what's good for her body. But I still believe that when you do have an abortion, still inside, you go through a lot of stuff. It tears away at your spirit and your soul. So I don't think people think about that.
I love finding the vulnerability in characters. There's truth there. There's beauty in vulnerability.
It's common to think things will never happen where you are-never in Cambridge, never in New York, never in Seattle-that sort of thing, whatever it is, never happens here, not in our community. Then it happens, right in front of you, and you realize you were blind to it, that you forgot that intolerance and zealotry and viciousness are human currency everywhere, and it takes your breath away.
I'm not always in a full face of make-up! That's actually one of the things I like about make-up - that you can strip it away and show your vulnerability.
She looked up. "What I can't figure out is why the good things always end." "Everything ends." "Not some things. Not the bad things. They never go away." "Yes, they do. If you let them, they go away. Not as fast as we'd like sometimes, but they end too. What doesn't end is the way we feel about each other. Even when you're all grown up and somewhere else, you can remember what a good time we had together. Even when you're in the middle of bad things and they never seem to be changing, you can remember me. And I'll remember you.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
People are realising that vulnerability isn't a weakness, and the rise of mental health-related humour is making vulnerability feel like a strength.
And that's where I think vulnerability comes in - the fact that we're figuring out that there is strength in actually being vulnerable to one another, there is strength to letting go of grief, or at least processing grief more helpfully than we've necessary seen, particularly in these corseted upper class dramas before.
I was raised in a family where vulnerability was barely tolerated: no training wheels on our bicycles, no goggles in the pool, just get it done. And so I grew up not only with discomfort about my own vulnerability, I didn't care for it in other people either.
There are always a bunch of ideas floating around and I do the best that I can to try to not do them. The ideas don't go away and, over time, are finally like, "Okay, it's been around so long, I have to get this thing out," and it somehow ends up coming to some version of fruition.
I have a classic taste with a twist, because classic never goes away.
I think one's relationship with one's vulnerability is a very delicate and precious relationship. Most people try to hide, disguise that vulnerability, and in doing that, you, I think, diminish a great source of power.
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