A Quote by Eric Benet

I'm trying to laugh uncontrollably with whoever I'm making a song with because whatever we just listened to that we just came up with is so dope. I'm chasing that feeling in the studio, not like a trend or what's hot on the radio at the moment. It just seems like the more I do that, the better I get at what I do. I'm going to keep doing that.
In the future, I just think that as far as when it comes to me and my music, I'm trying to help be the catalyst for whatever is going to inspire more people and keep a great creative community going. Whatever I can do to make everyone's records better, not just my own, just hopefully keep the whole flow of stuff going in a good direction. That's what I'll be doing, so look forward to whatever I'm involved with it and hopefully I can inspire the next generation.
I don't know that there was a moment, like one specific moment where I was like "Ugh. Now what do I do?" I was just always like, "I'm just in here and if I have to fight with myself or ask for help or just be lost for a little while, but I'm just going to keep looking." Because music was all I had.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
I think I made this decision that I just loved making music, and it didn't matter what level I got to do it on, and 'Fight Song' was this declaration that I'm going to keep going, and I'm going to keep believing in myself, even if it seems like it's impossible.
I feel like you have to constantly keep proving yourself, and you have to constantly keep getting out there and showing them you're more than just that one song on the radio that's just playing. And that's what I had to do the first time around; I had to keep going out there and keep performing live.
I get from the soil and spirit of Texas the feeling that I, as an individual, can accomplish whatever I want to, and that there are no limits, that you can just keep going, just keep soaring. I like that spirit.
I'm just going to keep working. Spend more days in the gym, as possible. Just trying to get my game up, and just keep playing. And if it's in God's will for me to win, then I'll get it.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
Groups like The Mountain Brothers just have to keep on doing what they're doing - just make it dope and just make it different. And not try to compete with other people of color.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
That's what I used to do; I would just go into the studio and just rap. But it's all about coming up with dope concepts and dope hooks.
I get burned out on standup. But I like acting. I do like it. But sometimes you just feel like a monkey. You just feel like a complete tool. But I like it. I do like it. Stand-up is just more free. A lot more freedom because you just do what you want to do.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
I released a song called 'Let Em Know' off SoundCloud, and some fan commented on it and was like, 'Trap soul movement,' and I was like, 'Man, that's dope. What is that?' And it just sounded like my music. That was the perfect word to describe my music, so I was just like, I'm going to call my project that.
There's something in human nature, the trying-to-get-on-with-it quality of people, the struggle to maintain or keep the show going can be exhausting. It just seems like that element of trying to move forward while things are breaking down... Obviously, it's always been the backdrop for a lot of great literature and great cinematic characters, but aside from that, I'm just drawn to it because that feels honest to me.
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