A Quote by Eric Clapton
It's very difficult to explain the effect the first blues record I heard had on me, except to say that I recognized it immediately. It was as if I were being reintroduced to something that I already knew, maybe from another, earlier life. For me there is something primitively soothing about this music, and it went straight to my nervous system, making me feel ten feet tall.
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For me there is something primitively soothing about this music, and it went straight to my nervous system, making me feel ten feet tall.
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
It's difficult to explain exactly how I react to music, but if it makes me feel anything at all, then I'll have some kind of emotional relationship to it. That's what defines good music to me - if it makes me truly feel something.
When I first heard 'Let Me Love You,' I knew immediately it was going to be a hit. I believed in it and I had to literally force it down the throats of his record label, who weren't believers at first.
One of the things I do take some pride in is that if you had never read an article about my life, if you knew nothing about me, except that my books were being set in front of you to read, and if you were to read those books in sequence, I don't think you would say to yourself, 'Oh my God, something terrible happened to this writer in 1989.'
I think what saved me is me being honest. I think I somewhow had the courage to do something and say something that I knew would possibly end my career. Instead of making business more important I made my soul and my life more important. And I think by being truthful, and being honest, that saved me.
I think we were born 6 feet tall and then started to grow from there. My dad's not particularly tall - only 5 feet, 11 inches - but his mother was almost 6 feet and straight as a ramrod: a German woman who used to scare the hell out of me.
When I was a small boy, 10, 11, 12, probably somewhere around there, when I first heard a blues song on the radio, it was a jolt of electricity. It grabbed me by the throat, it made me shiver. And I knew from that moment that this was for me and this would be with me for the rest of my life.
I had five dollars in the bank that I couldn't have for three days until they charged me another 15. Leaving me with -10. What does that mean? I don't even have no money any more. I wish I had nothing. But I don't have it. I don't have that much. I have not ten. Negative ten. I can't afford to buy something that doesn't cost anything. I can only afford to get something that costs you give me ten dollars.
I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.
there was something about that city, though it didn't let me feel guilty that I had no feeling for the things so many others needed. it let me alone. sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter me as I heard the rats moving about the room, I preferred them to humans. being lost, being crazy maybe is not so bad if you can be that way undisturbed. New Orleans gave me that. nobody ever called my name.
I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
That song [You Got To Make It Through The World] came from a vibe I picked up from an old blues singer named Bo Carter. My lady was making a film as a thesis for U.C.L.A. and she wanted me to write a song to depict this character. The movie had something to do with bootlegging and stuff like that. I found this Bo Carter record and he was just saying something about making it to the woods or something like that.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
Every writing teacher I ever had except for one told me I was an awful writer, had no idea what I was doing, and should stop immediately. It only took the one to tell me something different to light a fire under me.
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