A Quote by Eric Holder

There's a certain level of vehemence, it seems to me, that's directed at me [and] directed at the president. You know, people talking about taking their country back. There's a certain racial component to this for some people. I don't think this is the thing that is a main driver, but for some there's a racial animus.
When you work with an actor, it's cool because they know what it's like to be directed themselves. Jodie directed a scene with me and Taylor that was when she starts talking to me again in prison and it's our first actual confrontation that we have, where some stuff comes out.
But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.
Most poor people in America are white. The family breakdown issue is an issue that crosses all sorts of racial lines. High school dropout issues. But because of the flow of events which involve the racial component, we've sometimes confused racial issues with other issues which are trans-racial.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
Our goal is to have a country that's not divided by race. And my impression, as I travel around the country, is that that's the kind of country that most people want, as well, and that we all have prejudice, we all have certain suspicions or stereotypes about people who are different from us, whether it's religious or racial or ethnic, but what I think I found in the American people, I think there's a core decency there, where if they take the time, if they get the time to know individuals, then they want to judge those individuals by their character.
In order to really move toward what people really think of as some sort of Utopian post-racial society or somehow to really challenge the racial hierarchy, we're going to have to allow some fluidity.
People feel uncomfortable talking about racial issues out of fear that if they express things they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we have not engaged in.
People feel uncomfortable talking about racial issues out of fear that if they express things, they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we've not engaged in.
Racial relations in this country are plummeting. Racial strife is rising. All the while, Obama is out there talking about unity and bringing us together.
Giving people like me a green card, a passport, and a driver's license? That's not going to be the end of the immigration conversation and debate in this country. It's like saying we elected Barack Obama president, so all of the racial problems are done. Right? I mean in some ways, the immigration conversation is just starting. Which is why when we started this campaign, we didn't call it Define Immigrant, we called it Define American. That's the question. That's what's at stake.
Some of our favorite films are obviously not written by the person who directed it. And yet a 'Taxi Driver,' or some Nicholas Ray movie, like 'In a Lonely Place,' seems so personal or obsessive or whatever.
In my mind, this is an 'and,' it's not 'either' 'or' or 'but.' Yeah, you can feel a certain way about honoring the flag and the country, and feel that there needs to be some significant changes in the system, regarding racial inequalities.
It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.
Who directed the video 'No More Drama' for Mary J. Blige. I was actually kickin' with J. Lo talking about some music that we're gonna put together, and we were talking about great directors. She said she really, really liked that video and was wondering who directed it, so yeah, I looked it up!
The problem is there are people in this country - maybe 10%, I don't know what the number, maybe 20% on a bad day - who want this President to have an asterisk next to his name in the history books, that he really wasn't President....They can't stand the idea that he is President, and a piece of it is racism. Not that somebody in one racial group doesn't like somebody in another racial group. So what? It is the sense that the white race must rule. That's what racism is. And they can't stand the idea that a man who is not white is President.
I still think people do have racial hang-ups, but I think one of the reasons I can joke about it is people are shedding those racial hatreds.
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