A Quote by Eric Nam
I think representation is something that's absolutely needed. I felt like with K-pop being so hot, we could leverage that to potentially do something bigger with music in the States that people could latch onto.
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There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
I think pop music, for me as a kid, I hated school and ran home to watch Britney Spears videos. I just felt like I could forget about the stuff I didn't like about my life and listen to pop music and escape.
I always felt called to serve, to empower and ennoble as many people as I could, teaching, truth-telling, exposing lies, bearing witness, and being willing to live and die for something bigger than yourself. I had a passion and love of learning and wisdom that was inseparable from a love of music and the arts.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
Belly made me aware that you could write songs that were mysterious or vulnerable. Their guitar-led music was in some ways very simple, the opposite of the pop music I was brought up with, like Michael Jackson. It made me realise music was something that you could be part of, make in your room.
I decided.. that I could go on being scared forever, that I could keep walking, that I could carry my rage around, hot and heavy in my chest forever. But maybe there was another way. You have everything you need, my mother had told me. And maybe all I needed was the courage to admit that what I needed was someone to lean on.
There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
Their leaving made me melancholy, though I also felt something like relief when they disappeared into the dark trees. I hadn't needed to get anything from my pack; I'd only wanted to be alone. Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was.
All people have religions. It's like we have religion receptors built into our brain cells, or something, and we'll latch onto anything that'll fill that niche for us.
I always felt called to serve, to empower and ennoble as many people as I could, teaching, truth-telling, exposing lies, bearing witness, and being willing to live and die for something bigger than yourself.
I grew up with nothing, so whenever I got to where I could have something I felt like I needed to have everything I couldn't have when I was young.
There was just this stage where I realised that people were listening to what I was saying and I could actually say something I believe in and, like... why wasn't I doing that? It's not because I think I have a responsibility as a pop star or whatever; it's because I think I have a responsibility as a human being.
People are starved for the truth, and when something comes along that even looks like the truth, people will latch onto it because everything's so false.
If we could get proportional representation and open up roles for smaller parties in coalition governments, we could start intentionally breaking down the cult of personality that is one of the most distorting things about our electoral system in Canada. We had a constellation of social actors behind the Leap Manifesto. And we created something bigger than ourselves.
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