A Quote by Eric Stoltz

I was up for Michael Corleone in 'The Godfather,' but, as I was only 10 at the time, I think Mr. Coppola made the right choice. The Julia Roberts role in 'Pretty Woman' held a bizarre allure for me. But, it's silly to look back with regret.
People talk about this Julia Roberts almost like it's a cup of Pepsi. People think Julia Roberts is something they created. The fact is, 26 years ago, there was this scrunched-up little pink baby named Julia Roberts. I am a girl, like anybody else.
Do we root for Michael Corleone in the 'Godfather' films? I think so, even if he is a monster.
Playing a plainer role means everything is dependent on the credentials of the actor, not the fact that they are as pretty as Julia Roberts. People start to look at their talent rather than their appearance. And playing the ugly part often means less time in the make-up chair, which is a great benefit on set.
American pictures usually have no subject, only a story. A pretty woman is not a subject. Julia Roberts doing this and that is not a subject.
I wanna create a character that's really memorable... like Julia Roberts did in 'Pretty Woman.'
I feel just like Julia Roberts in Pretty Woman. You know, except for the whole hooker thing.
A lot of people come work with me because I keep an open set, and people can visit. Julia Roberts used to have friends visit on 'Pretty Woman.'
When we were working on 'Julie & Julia,' I went back to the Julia Child cookbook and made some things I haven't made in a while, one being beef bourguignon, which to me is a hilariously 1960s dish that everyone felt they had to serve at a dinner party or they weren't a grown-up.
A friend of mine's sister was on a TV show here in Toronto, a popular show. I don't know I guess it must be some Canadian come line. Well Mr. Dressup a friend's sister was on Mr. Dressup and I just never understood - knew that I could know someone in the flesh that was on the TV. It was just a bizarre thing for me. I grew up drinking Coca Cola, singing to Michael Jackson and the '80s a pretty stand by me life.
I got the acting bug really young, when I was around, like, 10. I pretty much just wanted to be Michael J. Fox. He was in 'Teen Wolf' - that was, like, the coolest role, and then he did 'Back to the Future,' and that was the coolest role.
I am humble. It was an honor, and I cried the first time I saw the film His Way. Because to have people of that caliber, like Julia Roberts, take the time to sit down and give a day or two of their lives to a film about me, that they're not getting paid for, is pretty extraordinary.
I'm not up there with Kate Winslet and Julia Roberts. I don't sell tickets. I've known that for a long time.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn. I also look up to Kate Winslet and Renée [Zellweger] and Cate Blanchett...and Diane Keaton - she's a genius. I think it's very inspiring to see these women attack such complex roles.
We all have those dreams of going back in time and seeing what it was like when our parents were younger. Maybe we don't all have that dream. I don't know. Getting to role play or step back to a different moment in time and see things through a different lens is something that resonated with me, for sure. We don't get to do that, generally, but when the right neurological disorder lines up with the right unstable woman, that moment presents itself. Getting to know where we come from is a really profound way of getting to look at who we are.
I think I can be relatively attractive when I dress up, but I'm not Julia Roberts or Catherine Zeta Jones.
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