A Quote by Erica Mena
DJ Envy's definitely talk about me, but I'm one of many. I was under the assumption that he had kids but wasn't actually married. I found out around the time that I started filming 'Love & Hip Hop.' After I found out, I was still in shock because we were together for so long.
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When I met my wife, I was forty-six, and it was love at first sight. Every day, my love grew deeper as I found out about her family values, that her parents were still together, that she wanted kids. So we fell in love, got engaged, got married, and a month later, we were pregnant!
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.
You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
We can teach about hip-hop history, we can teach about legends, hip-hop theory. It's been around so long that text books can be written about it. This is a perfect time to capitalize on and get kids excited about music education.
I have gone through many difference phases in my love affair with hip-hop.It evolves, your taste. It sometimes deepens, in terms of what's out; sometimes it's not as deep in terms of what's out. So it's definitely an evolution. I don't ever claim to be a hip-hop head.
All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.
People still tweet me like, "Oh my god, I just found out you guys are married!" Which makes sense to me because I'm not the type of person who is like, "I love this actor, let me find out everything about their lives."
I've been a DJ since I was about 13, and I started out as a hip-hop DJ. So I was always playing records that would just get people going. I was just doing parties and high school dances and whatever, and then, progressively, I started making my own music, writing little songs here and there, but it was never anything crazy.
I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
A lot of people always see the EDM DJs as button pushers, especially when deadmau5 came up with that term. Well actually I started out as a hip-hop DJ and I won several awards in Holland for my skills.
I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.
I actually came from the fashion side, so maybe I knew more about fashion - and music like hip-hop because I was a DJ - so it was really successful when we mixed it all up together.
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