A Quote by Erich von Stroheim

Since that first showing of Foolish Wives I have seemed to walk through vast crowds of people, their white American faces turned towards me in stern reproof. — © Erich von Stroheim
Since that first showing of Foolish Wives I have seemed to walk through vast crowds of people, their white American faces turned towards me in stern reproof.
If you watch any show that stars white people, white people aren't coming up to them like, 'Thank you for showing my face on the big screen.' Because they see their faces in popular culture all the time.
The Latin American photographer has the possibility, and the means, for naming the things of our world, for demonstrating that there is another kind of beauty, that the faces of the First World are not the only ones. These Indian, black, plundered white and mestizo faces are the first element defining the demographic content of our photography.
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
The Aegean sea washes Greece on two sides: first, the side that faces towards the east and stretches from Sunium, towards the north as far as the Thermaean Gulf and Thessaloniceia, a Macedonian city...; and secondly, the side that faces towards the south, I mean the Macedonian country, extending from Thessaloniceia as far as the Strymon.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.
To persons uninstructed in natural history, their country or seaside stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall.
No matter what faces you in life, always look up to God, and he will guide the way. You just have to walk that path very stern, and very proud.
On the way to truth, walk with the crowds or walk all alone; but walk always and walk under every condition!
You know, I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I'm concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict.
There's no better feeling than sitting on the team bus travelling to the Millennium Stadium knowing that the team will be playing in front of 74,500 people. You're driven through the crowds where you see the smiles on people's faces and I get a huge buzz out of that.
All through the nineties I met people. Crowds of people. Met and met and met, until it seemed that people were born and hastily grew up, just to be met.
Foolish names and foolish faces often appear in public places.
On the Avenue in front of the White House were several hundred colored people, mostly women and children, weeping and wailing their loss. This crowd did not diminish through the whole of that cold, wet day; they seemed not to know what was to by their fate since their great benefactor was dead, and though strong and brave men wept when I met them, the hopeless grief of those poor colored people affected me more than almost anything else.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I live in New York now and most of magazines have turned more towards reality stars. So, really I think that's great because it's turned towards people who want it rather than... So, I think it's actually kind of imploding in on itself a little bit.
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