A Quote by Erin Foster
Our dad was always like, 'Look, if you're musical, if you live and breathe music and want to play an instrument, that's not something that's on me to put on you. If you're passionate, you will come to my studio every day after school and watch me work because you can't live without it.
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When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.
I'm not going to do anything out my way to try to get somebody to watch me because I want to act a buffoon. I want to build a character that I want my kids to look up to. It's OK to be the bad guy when it's time to be the bad guy, but to live and be the bad guy all day, every day? It's like, 'No, come on, man, you're making us look bad.'
Because I live and breathe design every day, sometimes I will come across an idea that is something I want to try. It often comes from an old hotel or an old restaurant, and I will adapt it to be residential.
I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
I actually live right near a high school and I always walk by...I live in a high school. I actually live in the boiler room of a high school at night. When I see high school guys now I'm actually like, 'Thank f - king God I'm not in high school anymore because they look like they could kick the living s - t out of me.'
I was a dramatic kid. I was always like, 'Watch me put on my play, Mom and Dad! You have to watch me put on all these outfits and do this play!' But my family is very academic and straightforward and normal Midwestern people, so the idea that I could act as an actual job wasn't really there.
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.
Now look at me! Take a good look! I was born and I knew I was alive and I knew what I wanted. What do you think is alive in me? Why do you think I'm alive? Because I have a stomach and eat and digest the food? Because I breathe and work and produce more food to digest? Or because I know what I want, and that something which knows how to want—isn't that life itself? And who—in this damned universe—who can tell me why I should live for anything but for that which I want?
I always have a guitar with me. Actually, I've got several, I play every day. And I enjoy it. I'm never very far away from them. I swear I only ever get a couple days when I'm away from a guitar, and I never like it! There's always one close by, and I play every day. Or I'll be working on something in the studio and play around a bit. It's an extension of me, really.
When you're super passionate about something, you're more willing to do all of the grunt work. You know, like, I'm so willing to live on a bus for my whole life because that means I get that one moment on stage or that one moment in the studio that totally fills me.
I work on my own music every day. I'm pretty much always working on it so it's like, after I get out the studio, I just want silence.
Sunday is like this entertainment scrum for me, because I've only got a day, one day of fun. So I want to have brunch, and I want to see a movie, and I want to watch 'Game of Thrones,' and I'm trying to watch 'The Sopranos' from the beginning, and I want to play four hours of video games. So, it's, like, as regimented as my work life.
I'm more European than anything. I've lived in America for 10 years, and I live in Florida because I like to be outdoors. I live a week in New York, and I live a week in Italy. When I'm here in Italy, I come to work at eight in the morning and usually I leave work at 10 o'clock at night. I don't even breathe the air. So that's why I like to live outside.
God, thank you for waking me up this morning. I want to embrace every day, however limited my day may be, as a gift from God. I want to live this day to its fullest. I know there are things I can no longer do. I know I am facing daily limitations. But I want to focus on what I can do, not on what I cannot do. So help me God. I know this day will never be repeated. I know I cannot live it over again. Help me to live it to its fullest.
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