A Quote by Erin McKean
People say to me, ‘How do I know if a word is real?’ You know, anybody who’s read a children’s book knows that love makes things real. If you love a word, use it. That makes it real.
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I think that's what makes my music different from other artists in my lane is that I write every word that's on my album, and every word comes from a real experience or a real feeling that I've either experienced or felt. And I'm very particular about that, and I take a lot of pride in it, so you know if I say something on a song, I mean it.
if you were older you might agree with me. you might say that real love steals nothing. you might say that real love leaves a person intact. you would be wrong, jane. love is a greedy toddler who knows only the word 'mine.
Da Free John's phrase kept running through my mind: "Practice the wound of love... practice the wound of love." Real love hurts; real love makes you totally vulnerable and open; real love will take you far beyond yourself; and therefore real love will devastate you. I kept thinking, if love does not shatter you, you do not know love.
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.
If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'
the only real rule I know in writing is, Don't be boring. Sleeping people don't read a word you write or hear a thing you say. How can they? They are asleep. So don't put anyone to sleep, and you will probably do okay.
Next, 'real' is what we may call a trouser-word. It is usually thought, and I dare say usually rightly thought, that what one might call the affirmative use of a term is basic--that, to understand 'x,' we need to know what it is to be x, or to be an x, and that knowing this apprises us of what it is not to be x, not to be an x. But with 'real' (as we briefly noted earlier) it is the negative use that wears the trousers.
Real artists find answers. The knowledge of the artisan is within the confines of his skills. For example, I know a lot about lenses, about the editing room. I know what the different buttons on the camera are for. I know more or less how to use a microphone. I know all that, but that's not real knowledge. Real knowledge is knowing how to live, why we live, things like that.
First of all, let us try to know what love is. If love means to possess someone or something, then that is not real love, not pure love. If loves means to give oneself, to become one with everything and everyone, then that is real love. Real love is total oneness with the object loved and with the Possessor of love.
They say you never know who's the real hero and who's the real coward until you're looking death in the face. I've always been afraid of plenty of things, but fear isn't what makes you a coward. It's how depraved your heart becomes when fear gets pumped through it.
The Jivanmukta ('the living free' or one who knows) alone is able to give real love, real charity, real truth, and it is truth alone that makes us free.
Before I look stupid and not know what a word means or how to pronounce it, I'll stop the whole production: 'Hey, real quick, guys. Define this word for me. Somebody.'
Before I look stupid and not know what a word means or how to pronounce it, I'll stop the whole production, "Hey, real quick, guys. Define this word for me. Somebody."
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
I admire Virginia Woolf so much that I wonder why I don't like her more. She makes the inner things real, she does illumine, and she makes relationships realities as well as people. But I remember the intensity, the thrill, with which I read 'Passage to India.' How I would have hated anyone who took the book away from me.
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