A Quote by Esa-Pekka Salonen

The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat.
You would never hear any song played twice in the same way. The words were retained, but within a certain frame there was great latitude, and the musician could improvise to his heart's content; and the more the variations and combinations, the greater the musician.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
Overall, I think the main thing a musician would like to do is give to the listener the many wonderful things he knows of and senses in the universe... That's what I would like to do. I think that's one of the greatest things you can do in life, and we all try to do that in some way. The musician's is through his music.
I was always funny, but I wasn't a great musician, and I wanted to be a musician way more than I wanted to be a comic. I just didn't think comedians were cool when I was a kid.
The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound.
I used to believe that if I could do certain things - write a book or be a successful musician - that I'd be transformed into a happy person, but it doesn't work that way.
I think my playing has been orchestral throughout the years, and this is another way of expressing that. But I primarily see it as the ultimate accomplishment of a musician. Composing makes me feel like I've finally gotten all the way up the ladder as a musician.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I'm a mother, and that's really important. Today, the mother and the musician can sit next to each other. Even when the musician is out there in full swing, the mother doesn't get switched off.
The concern of the musician is to play the music. It is there demanding to be given sound to.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
Do not categorize about music. You take each musician at the time and open yourself to that musician.
I wanna hear it, I wanna hear it from each and every one of you. I wanna hear it from the kids, the men, the women. I wanna hear it from every single person in this arena. I want you to stand up out of your seat, I want you to get up and do what you should have done a long time ago! I want you to admit that you were wrong! All of you! You all were wrong! Each and every single one of you! I made it!
When it comes to having conversations with girls what I hear from them is that there is a lot of pressure to look a certain way, act a certain way, perform a certain way, and there are very mixed messages. We are telling them, 'Be yourself, be true to who you are,' but what does that mean in a society of comparison, competition, and individualism?
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
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