You can't just trust to luck; you have to really listen to what that character is telling you.
Just take me with you. Please. I cant. Please, Papa. I cant. I cant hold my son dead in my arms. I thought I could but I cant.
... where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing but cant, cant, cant.
If I'm not telling you something, it's for a reason. Just because you trust me, it doesn't mean I have to automatically trust you. Trust doesn't work like that.
Think positive, and don't listen to anyone telling you 'you can't.' You can. Trust me.
I really admire actors who have time, because time is really the greatest luxury for an actor to live with a character, to develop a walk and a talk, or to listen to tape if you're playing a real character. But without time you're really just forced to make quick choices and move on and hope that the spaghetti sticks against the wall.
In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.
If something I make succeeds, people say it was luck. But I don't just throw myself into the unknown. I research my subjects and listen constantly to what the characters have to say. Luck comes into it, but the story is made by them.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
I often have the feeling that acting is really not difficult, because all I do is I just listen. I just listen. I just listen to what there is. And if there's nothing, then I listen to nothing. If there's a chair, and it's empty, I listen to an empty chair, and I will respond to it.
If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
the thing is you can get used to anything you think you cant you want to die but you dont you cant you just are
The worst advice? 'Don't listen to the critics.' I think that you really ought to listen to the critics, because sometimes they're telling you something is broken that you can fix.
The trouble is people leave too much to luck. They get married and then trust to luck. They should be sure in the first place.
I'm always telling myself as I write that I'm not really writing a novel; I'm just going to fool around with a character or an idea.
Contrary to what our brains are telling us, there's no mystical force that imbues a winner with a streak of luck, nor is there a cosmic sense of justice that ensures that a loser's luck will turn around. The universe doesn't care one whit whether you've been winning or losing; each roll of the dice is just like every other.