A Quote by Etgar Keret

In Israel, there is this reduction of the political discourse to something that is very limited. It's as if you have that pitch that only dogs can hear. Sometimes I feel I speak at such a pitch that very few people around me communicate with what I'm saying.
You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.
I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I speak all my languages basically every day with the people in the dressing room, and it's a pleasure to be able to do so. On the pitch, if it's a group of players I'm trying to communicate with, then I use English because you need to make sure everyone understands what you are saying.
There's something wrong with my brain, it doesn't work properly! I can hear the same pitch in both ears, whereas for most people, if you listen to one pitch in one ear, it's slightly different in the other. That's how your brain works out direction.
The interaction with Marco Reus is also very good. We understand each other very well, both on and off the pitch. If we get along privately, then that affects things on the pitch. We're almost like brothers.
Sometimes things are said on the pitch that people won't see at home. There's a bit of banter on the pitch as well.
My best pitch is my fastball. It's probably the most difficult pitch to hit. In my case, batters have very little reaction time.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
Being able to get some games under my belt and feeling the confidence of the gaffer is something very important to me. That way I feel good on the pitch.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
When you walk onto the pitch at Old Trafford, it is not just a pitch, it is a stage. If my father could see me on that stage, I think he would be very proud. I was always kind of chasing him, and I think even though he's not here, he helped me to get to this place.
When I was in college and reading music and doing ear training, I was a little more advanced than the other people in my choir classes. So to entertain myself and kind of annoy the friends around me, I would sing just under the pitch or just above the pitch.
When I get onto the pitch, I block out everything around it, and I really focus on the pitch.
Obviously, people in the media speak a lot when things aren't going right, but we as players do communicate with each other. Maybe it doesn't come across as being loud on the pitch - and you don't see it as much - but we do speak when things aren't going as well as planned.
Usually if you have an idea, you have to first pitch it to a production company, get them on board, then go around and pitch to networks.
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