A Quote by Etgar Keret

When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them. — © Etgar Keret
When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them.
I just want to give my fans a place to go where they can be free and nobody will judge them, because life is more interesting when you're looking at it from the outside. I don't think you need to be on the outside looking in; I think you should enjoy the outside.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I realized early on in writing the book that it needed to be from a family point of view, and that nobody outside the family would weigh in. And then well into writing it, the question became how to balance the perspectives; how to switch between chapters.
When I first started writing these kind of songs that would eventually become Decemberists songs, I was writing them because I knew that nobody was listening at the time and that it wouldn't hurt to challenge myself and get weirder and see if I could alienate more people
Nobody would take checks from Indians, nobody would give them any credit, and nobody would let them drink in the bars. There was a rudeness, a brusqueness, with which the Indians were treated constantly. At a very young age, that had entered my consciousness.
I got real bored in '96. Wasn't nobody to fight. Nothing to look forward to. That's when I started playing basketball again. Had I not started playing basketball, my boxing career would have failed. But I went from a sport where nobody could touch me to another where I couldn't touch nobody.
Nobody the dead man & Nobody the living Nobody is giving in & Nobody is giving Nobody hears me but just Nobody cares Nobody fears me but Nobody just stares Nobody belongs to me & Nobody remains No Nobody knows nothing All that remains are remains
I was very naive, and I thought it was just a matter of writing my first book and sending it in, and for the rest of my life I would be writing books and collecting royalties. Nobody told me how hard it was going to be to get published.
I was at the 1976 Republican Convention in Kansas City. I was running 'Nobody for President' at the time. I printed up these press releases and handed them out to the crowd at the Kemper Arena. 'Nobody keeps campaign promises.' 'Nobody lowers your taxes.' 'Nobody should have that much power.' 'Nobody is in Washington working for you.'
On coaching the 1970s Philadelphia Flyers: Nobody likes us. Nobody outside Philadelphia, that is. In fact, the nicest thing people say about us is that we are a bunch of muggers.
'Rolling Stone' had started something called 'Outside,' and since I was one of two people in the office that liked going outside, I was pegged to work on it. The concept of the magazine was simple: literate writing about the out-of-doors. I jumped at the opportunity.
When I first started playing, the only time you knew you would get photographed was if the paparazzi were outside a smart restaurant in town.
Nobody in my school knew who Bill Monroe was, or Lester Flatt and Earl Scruggs, and barely Johnny Cash. Nobody spoke that language. I proceeded to get myself kicked out.
It is forever unspeakable that man must suffer so. But you learn to control yourself, to work efficiently. ... I used to cry, and want to cry, but what do tears do? I was so proud when first I began to conquer. ... Your cheeks feel white just the same, but inside, not outside. Nobody can tell to look at you. Nobody.
Nobody else took what I was doing seriously, so nobody would want to work with me. I was thought to be a bit eccentric and maybe cranky.
In the earlier days I did most of the song writing by myself, and I got to a place in my life where I felt it was necessary to go outside my box and get some outside inspiration.
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