EC3 began as a spoiled brat, and I felt it was important for the fans to be able to relate to the character - not as themselves but as someone they may have encountered in their lives and really just want to sock square in the face.
I've just got face: he looks like a brat. The 'I don't like face.' That's how I see it. And I'm not a brat. Sometimes I'm watching a movie, and you see a character and go, 'I don't like him' - that's me.
I really felt good after working in a film like 'Piku,' as many people could relate to my character. I got letters from my fans telling me how my character resembles to their grandparents.
I shoved him off the snowmobile. He landed on his back in the snow. "Love is a brat, you think? No, love id fine. You are the brat, you spoiled, rotten brat!
I was really a spoiled brat when I was a kid skating. Meals are cooked for you, you are driven to the rink, they make costumes for you. Your parents sit around and watch admiringly while you skate. You don't have to think about anything but skating. You're just plain spoiled.
I didn't expect to see Kim, but I'm gonna be professional when I really just want to sock her in the face
It's really important for us as a band, that when someone is giving us grief on stage, to show our fans how important it is that they stand up for themselves and that they feel confident in themselves.
As a kid, I just felt like I didn't really have anyone to look up to that I felt like I could really relate to, someone that was out and gay and also competing in sports and finding success.
A girl in New York whose parents were on Wife Swap is suing the show for 100-million dollars for making her look like a spoiled brat. Note to girl: guess what else makes you look like a spoiled brat? Being 15 and suing for a hundred million dollars.
I really focus on what my fans will take from it, people living their day-to-day lives. At the end of the day, the music isn't for me; it's for people who are going through their struggles and want to relate to someone who feels the same way they do. I've got to go all-in, expressing myself, right there in the moment.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
I want a character to wake up one day and feel like, I can face it. That, to me, is happy. I want the characters to rescue themselves, though you use the relationships you have, to make you strong enough to be able to do that.
I want a character to wake up one day and feel like, 'I can face it'. That, to me, is happy. I want the characters to rescue themselves, though you use the relationships you have, to make you strong enough to be able to do that.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
I think it's really important these days to be able to relate to how the music flows and be able to speak the same language as your bandmates and the producer, rather than just talking drums.
I want to play someone really dark, like a real bad guy on screen. But I am sure I won't be able to do so because my fans will not let me do it. They are aggressive. My image is such that no one will allow me to do a negative character.