A Quote by Eva Green

I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
I had to pretend to drown. I was underwater, which is scary, and I'm not afraid of water, but people do die underwater.
Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.
I am crying, he thought, opening his eyes to stare through the soapy, stinging water. I feel like crying, so I must be crying, but it's impossible to tell because I'm underwater. But he wasn't crying. Curiously, he felt too depressed to cry. Too hurt. It felt as if she'd taken the part of him that cried.
I feel like crying, so I must be crying, but it's impossible to tell because I'm underwater.
I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
When you're working on a lake and it's dark and cold out and you can't see what's underwater, it is freaking scary!
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
Po swirled upward from where it had been sitting, and floated over to the window. "When you go swimming and you put your head under the water," Po said, "and everything is strange and underwater-sounding, and strange and underwater-looking, you don't miss the air do you? You don't miss the above-water sounds and the above-water look. It's just different." "True." Liesl was quiet for a moment. Then she added, "But I bet you'd miss it if you were drowning. I bet you'd really miss the air then."
But I think sometimes a person has to be forced underwater to see if they're going to drown or swim.
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
When you see the neighborhood that you grew up in being underwater, either you can sit down and look like everybody else, or you can get up and go try to help somebody that needs to be helped.
I really enjoyed Casino Royale because suddenly something changed with this modernity and with Daniel bringing life to James Bond in a very new way.
I swam underwater for 50 meters at a time and walked the length of the pool underwater, with a brick in each hand, all on a single breath.
Being able to breathe underwater would be sweet. There is so much life underneath the water that we don't know about. I would love to check out the bottom of the ocean to see what's going on down there.
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