A Quote by Eva Moskowitz

Rule number one of journalism is that trying to get in between a journalist and a story he wants to tell is like trying to stop a herd of stampeding cattle. — © Eva Moskowitz
Rule number one of journalism is that trying to get in between a journalist and a story he wants to tell is like trying to stop a herd of stampeding cattle.
We're all outriders out there, and what we have is all these large number of tasks - that's the herd; that's all the cattle - a whole bunch of individual, hundreds if not thousands of projects at any given time ongoing that we're trying to complete. So we're trying to keep the cattle herd, keep it all just going in the right direction.
It’s like trying to herd a flock of geese,” said Orik. “They’re always trying to go off on their own, they make an obnoxious noise, and they’ll bite your hand first chance they get.
I'm not trying to explain other cultures, or to give a fair and balanced account of a country, or the top ten things you need to know. I'm not trying to spread world peace and understanding. I'm not an advocate or an activist or an educator or a journalist. I'm out there trying to tell stories the best I can.
Sometimes, comedy feels like the kid brother of drama, trying to get attention by being the class jokester. But it's actually really hard to tell a story while also making people laugh. It's like trying to do two jobs at once.
I know when someone that's not you tries to tell your story, especially when you don't look like the person whose story you're trying to tell, you're going to screw it up. And the only way to get it right is to have them be as involved as possible.
Journalism is the protection between people and any sort of totalitarian rule. That's why my hero, admittedly a flawed one, is a journalist.
Trying to coach kindergarteners in soccer is like trying to herd cats.
In order to encourage the cattle farmers to raise a herd of all-natural cattle, which is a several-year process, they have to know that it's not just Shake Shack that wants to buy it. They have to have other buyers who are willing to pay more for all natural.
It's very difficult to measure the impact on policy of any investigative journalism. You hope it matters to let a little more truth loose in the world, but you can't always be sure it does. You do it because there's a story to be told. I can tell you that the job of trying to tell the truth about people whose job it is to hide the truth is about as complicated and difficult as trying to hide it in the first place.
I'd like to make mistakes on my own dime and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms than trying to satisfy a bunch of people that are paying for the movie.
You're always just trying to make your film, tell the story you're trying to tell - best you can, you know.
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
You're always looking for somebody to love you, be accepted, and there's the insecurities that are even transmitted through rap. Everyone is trying to aim to please too much. Number one: They're trying to please whoever signed them to a contract. Number two: They're trying to appease a gigantic audience and they get this false magnification of love. I came from a thing which nowadays would be the exception to the rule. I came from a mother and father who always made me secure in my beliefs, and that's where the love came from. Which made me look at everything else as procedure.
I'd like to make mistakes on my own dime, and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms, than trying to satisfy a bunch of people that are paying for the movie. That being said, I'm certainly open to moving into that world.
Telling a story is like trying to eat grapes with a fork. It's always trying to get away from you. And if you're a good author, and you've challenged yourself, and you're telling big stories, there's more and more that's trying to get away from you simultaneously.
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