A Quote by F. Scott Fitzgerald

Sometimes I don't know whether I'm real or whether I'm a character in one of my novels. — © F. Scott Fitzgerald
Sometimes I don't know whether I'm real or whether I'm a character in one of my novels.
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
The real test is not whether you avoid failure, because you won't. It's whether you let it harden or shame you into inaction, or whether you learn from it. . .
The bottom line is, when it comes to an actor and his performance, whether nominated or not, it simply has to do with whether that character had enough resonance with the audience. You know, to the filmgoers. And that something that you can't control.
Whether you're a populist; whether you're a limited government conservative; whether you're libertarian; whether you're an economic nationalist - we have wide and sometimes divergent opinions. The center core of what we believe, that America is a nation with an economy, not an economy just in some global marketplace with open borders, but we are a nation with a culture and a reason for being.
Making your mark on the world is hard. If it were easy, everybody would do it. But it's not. It takes patience, it takes commitment, and it comes with plenty of failure along the way. The real test is not whether you avoid this failure, because you won't. it's whether you let it harden or shame you into inaction, or whether you learn from it; whether you choose to persevere.
For men know not what the nature of the soul is; whether it is engendered with us, or whether, on the contrary, it is infused into us at our birth, whether it perishes with us, dissolved by death, or whether it haunts the gloomy shades and vast pools of Orcus.
Even in novels where the love relationship isn't the focus, I feel like it's often there, and the background is some barometer of whether this is a happy or sad story or whether this is a successful or unsuccessful life.
You know, I entertain whether I'm on 'Housewives,' or whether I'm on 'Dancing With the Stars,' or whether I'm on 'Young and the Restless.'
I wonder, sometimes, whether men and women in fact are capable of learning from history--whether we progress from one stage to the next in an upward course or whether we just ride the cycles of boom and bust, war and peace, ascent and decline.
The true test is, whether the object be of a local character, and local use; or, whether it be of general benefit to the states. If it be purely local, congress cannot constitutionally appropriate money for the object. But, if the benefit be general, it matters not, whether in point of locality it be in one state, or several; whether it be of large, or of small extent.
Drake is involved heavily, and they're kind of working away to find the right home for 'Top Boy,' whether that be Netflix, whether it be on TV, whether it be Amazon, I don't know.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Look, we don't have the luxury of not dealing with China. There are real complexities to the relationship, whether it's the adversarial piece, whether it's the competitive piece, whether it's the cooperative piece.
Those questions you have? Whether he's the one, whether you feel about him the way you should, or whether the relationship is going okay? When you're not sure whether you're in love with someone or not, the answer is not.
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